誘惑陷阱

8.1 播放:69萬 更新:2026-04-28
主演:韓蘇妍 宋筠 

韓國(guó)2015最新限制級(jí)影片The temptationto trap,男子叫主角和女主角在南方是英雄的事情了,我一個(gè)字將床單,看接下來的場(chǎng)景!這兩個(gè)應(yīng)該真的很有趣性!這部影片,在感到看到這個(gè)喜劇的精髓   

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韓國(guó)2015最新限制級(jí)影片The temptationto trap,男子叫主角和女主角在南方是英雄的事情了,我一個(gè)字將床單,看接下來的場(chǎng)景!這兩個(gè)應(yīng)該真的很有趣性!這部影片,在感到看到這個(gè)喜劇的精髓   

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瑪麗·伊麗莎白·溫斯特德,喬爾·埃哲頓,烏爾里奇·湯姆森,艾瑞克·克里斯蒂安·奧森,阿德沃爾·阿吉紐依-艾格拜吉,保羅·布朗斯坦,瓊德·埃斯彭·塞姆,Kim Bubbs,尤爾根·朗赫勒,簡(jiǎn)·岡納·勒伊斯,斯蒂格·亨里克·霍夫,克里斯托弗·海維尤,霍·阿德里安·哈萬,卡斯騰·拜卓隆,喬納森·沃克,邁克爾·布朗

  時(shí)為1982年,一支隸屬挪威的三人南極科考隊(duì)在冰原中行進(jìn),意外發(fā)現(xiàn)一艘一百萬年前的奇怪船只,并且在附近找到了凍于嚴(yán)冰之中的神秘生物。才貌雙全的美國(guó)古生物學(xué)家凱特·洛伊德(瑪麗·伊麗莎白·文斯蒂德 Mary Elizabeth Winstead 飾)在桑德爾·哈沃森博士(Ulrich Thomsen 飾)的邀請(qǐng)下,隨同一眾科研工作者前往南極。經(jīng)過認(rèn)真研究,他們發(fā)現(xiàn)這是地球上從未有過的生物。正當(dāng)科學(xué)家們?yōu)榱诉@個(gè)偉大的發(fā)現(xiàn)載歌載舞慶祝之時(shí),神秘生物悄悄解凍,繼而向人類展開兇殘的襲擊。經(jīng)過一番慘烈的搏斗,怪物最終葬身火海?! 〉嵌蜻\(yùn)并未就此結(jié)束,經(jīng)過對(duì)怪物細(xì)胞的觀測(cè),凱特隱隱感到一場(chǎng)災(zāi)難正向全人類襲來……

光榮何價(jià)

大衛(wèi)·卡拉丁,Ronny Cox,蘭迪·奎德,梅林達(dá)·狄龍

 這部電影是伍迪·格斯的優(yōu)秀傳記,他是美國(guó)最偉大的民謠歌手之一。他在上世紀(jì)30年代離開了自己位于得克薩斯州的家,去找工作,發(fā)現(xiàn)了美國(guó)工人階級(jí)的苦難和力量。

素媛

薛景求,嚴(yán)志媛,李來,金海淑,金相鎬,羅美蘭,楊真誠(chéng),權(quán)泰元

 她(李來 飾)是一個(gè)美麗平凡的小女孩,和爸爸媽媽生活在位于街角的家中。家里經(jīng)營(yíng)著以她的名字素媛命名的雜貨店,母親(嚴(yán)智媛 飾)作為老板娘日夜忙碌不得閑暇,父親則在工廠干著繁重的工作。在那個(gè)飄雨的早上,素媛打著雨傘獨(dú)自上學(xué)。在離學(xué)校近在咫尺的地方,她遭遇一個(gè)相貌猥瑣、酒氣沖天的大叔,由此開啟了她的悲劇之旅。柔嫩的小花遭到暴風(fēng)雨無情摧殘,受傷的豈止枝枝葉葉,更是那迎著陽(yáng)光無憂成長(zhǎng)的心。無良媒體鋪天蓋地大肆渲染,作為受害者的素媛一家仿佛成了周身污穢的恥辱之人,被四周詫異好奇的目光所包圍。媽媽悲痛欲絕,幾近崩潰。爸爸全力保護(hù)女兒,但受傷的小天使卻拒絕爸爸的靠近。問兇之路伴隨著天使的治愈旅程,美麗的女孩可會(huì)再露燦爛笑容?

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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  流行巨星(詹妮弗·洛佩茲 Jennifer Lopez 飾)在結(jié)婚前一刻發(fā)現(xiàn)自己的未婚夫出軌,于是在臺(tái)上隨意挑選了數(shù)學(xué)老師(歐文·威爾遜 Owen Wilson 飾)結(jié)婚,二人究竟能否真正擦出愛情的火花?有情人最終能否終成眷屬?