財子名花星媽
海外富商Jimmy、John暫無內(nèi)容偕友來港獵艷,暫無內(nèi)容透過淫媒蓮蓮結(jié)識名花.暫無內(nèi)容John暫無內(nèi)容本看上王夢華,暫無內(nèi)容卻嫌她小家子氣,暫無內(nèi)容后雖與苗麗君勾搭上,暫無內(nèi)容卻對純情的張小玲念念不忘.暫無內(nèi)容Jimmy暫無內(nèi)容喜歡歌星美寶,暫無內(nèi)容但現(xiàn)鈔、華服、美鉆均無法打動佳人,暫無內(nèi)容還被她狠狠地教訓了一頓.暫無內(nèi)容玲母嗜賭欠債,暫無內(nèi)容竟以苦肉計逼玲向John暫無內(nèi)容獻身.暫無內(nèi)容玲到酒店借醉大罵John暫無內(nèi)容玩弄女性,暫無內(nèi)容John暫無內(nèi)容心生憐惜,暫無內(nèi)容決以禮相待.暫無內(nèi)容翌日玲醉醒,暫無內(nèi)容在酒店外遇見記者,暫無內(nèi)容驚惶中被汽車撞倒,暫無內(nèi)容在醫(yī)院懇求John暫無內(nèi)容帶她到海外重過新生,暫無內(nèi)容John暫無內(nèi)容欣然答允.暫無內(nèi)容寶弟考獲獎學金,暫無內(nèi)容惜無法支付留美生活費,暫無內(nèi)容寶決定賣身給Jimmy,暫無內(nèi)容Jimmy暫無內(nèi)容得悉真相,暫無內(nèi)容自覺慚愧,暫無內(nèi)容無條件送贈二萬元予寶.暫無內(nèi)容華出賣肉體原受養(yǎng)母所逼,暫無內(nèi)容卻反遭母妹奚落,暫無內(nèi)容悲憤之下跳樓自殺.......
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追殺51號
穆罕默德·阿里坎,阿黛爾·艾克薩勒霍布洛斯,路易·加瑞爾,吉爾·勒盧什,羅曼·杜里斯,瓦萊麗亞·布魯尼·泰德斯基,達芙妮·帕塔基亞,維克多·阿爾特斯·索拉羅,托馬斯·班加爾特,阿克賽·百利,斯特凡納·巴克,雨果·狄龍,卡梅爾·拉布魯?shù)?薩杜·巴未來巴黎，階層鴻溝割裂都市。超腦Alma執(zhí)掌秩序，其創(chuàng)造者暴斃后，警探薩利亞聯(lián)手澤姆揭開顛覆割裂世界的驚天謎團。
群鳥之地
卡卡琪,梅蘭妮·斯科洛凡諾,凱絲琳·蒙露Sheila Hood is an ex-cop whose marriage is on the rocks. Rather than confronting her husband about an affair, she hides surveillance cameras in her home and watches his transgressions, becoming a voyeur of her own life. Her husband, Tom Kale, is an ornithologist who begins an affair with an ex-girlfriend, Merle James, whose beauty and fragility echoes that of the birds he studies. Ray Starling, the charismatic owner of a boutique hotel, is Merle’s lover, and has dealings with her father, Mr James, a powerful oil baron who operates in the shadows but whose influence touches the whole city. Merle’s younger sister, Hazel, is also drawn to Tom, but trapped in Starling’s web of power. Calvin is an cop whose loyalty to his ex partner, Hood, is tested when mounting evidence from her own surveillance tapes connects her and Tom to Starling’s murder, and perhaps even Merle’s mysterious death.
殺手護士
米婭·查利斯,喬內(nèi)塔·凱澤,羅布·梅耶斯當一名護士同事在神秘的情況下死亡后，兩名巡回護士必須撥開醫(yī)院里重重秘密迷宮，才能揭露兇手。
約定2024
片岡千之助,北香那,望海風斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風吹淳,橋爪功錺（かざり）職人のもとに奉公していた幸助（片岡千之助）は、ようやく8年の年季が明けることになった。 幸助は幼馴染のお蝶（北 香那）という娘に想いを寄せていた。 5年前、幸助とお蝶は年季が明けるその日、刻は暮六ツに、萬年橋で會う約束をしていた。 互いに想いながらもこの5年の間、幸助は人には言えない秘密を抱えていた。 また、お蝶の身にも幸助には話せない辛い思いがあった。 橋が見渡せる川辺からそっとお蝶を探す幸助。懐にはお蝶の為に作った簪（かんざし）が入っている。 果たして二人は萬年橋で再會することができるのか……。
死命必達
馬里奧·毛瑞爾,莎露彩·查金哈,Phuwanet Seechomphu,Marut Chumchonbun納特（馬里奧·毛瑞爾 飾）是個擁有靈異體質(zhì)的外送員，他的工作因此變得與眾不同，他和兩位外送員好友經(jīng)常接到奇怪的訂單，在深夜將詭異的物品送到毛骨悚然的地方。這種賺錢方式雖然不尋常，但大多數(shù)時候他和外送伙伴們通常能對這些恐怖經(jīng)歷一笑置之。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.