劇情縱覽
柳靜和蘇賢雖然不是自己的姐妹,但從小就生活在一起。 Sohyun被Yoojung抓住了,而她的男友和兩個(gè)人則在家里度過了時(shí)光。 敏秀在浴室里赤裸裸地面對柳中 Yoo Jung對Minsu感興趣并引誘Minsu。 閔秀知道柳貞和蘇賢不是自己的姐姐,便馬上走到柳貞。 秀賢知道了,秀賢和敏秀分手了...
柳靜和蘇賢雖然不是自己的姐妹,但從小就生活在一起。 Sohyun被Yoojung抓住了,而她的男友和兩個(gè)人則在家里度過了時(shí)光。 敏秀在浴室里赤裸裸地面對柳中 Yoo Jung對Minsu感興趣并引誘Minsu。 閔秀知道柳貞和蘇賢不是自己的姐姐,便馬上走到柳貞。 秀賢知道了,秀賢和敏秀分手了...
故事發(fā)生在一個(gè)名為“諾莫”的偏遠(yuǎn)小鎮(zhèn),這里看似風(fēng)平浪靜,實(shí)則暗流涌動(dòng)。主角尤利西斯在上一任警長離奇意外身亡后,被委任為臨時(shí)警長。當(dāng)鎮(zhèn)上的銀行被一對來自外地的夫婦搶劫時(shí),尤利西斯趕到現(xiàn)場,卻發(fā)現(xiàn)這座小鎮(zhèn)平靜的表象下隱藏著更為險(xiǎn)惡的深層秘密——從酒保到神父,鎮(zhèn)上的每個(gè)人都是秘密的參與者。而一直試圖逃避過去心魔的尤利西斯,此刻必須揭開這場犯罪陰謀的全部真相。
故事圍繞墨西哥特種部隊(duì)精英卡洛斯(綽號(hào)“公?!保┱归_,他在一次任務(wù)中成功抓獲了犯罪集團(tuán)頭目,卻因此遭到報(bào)復(fù),妻子在他面前被殘忍殺害,自己也淪為通緝犯。走投無路之際,他意外中了彩票頭獎(jiǎng),一夜之間擁有了復(fù)仇的資本。他與摯友、戰(zhàn)友米格爾聯(lián)手,將全部財(cái)富轉(zhuǎn)化為武器和情報(bào),從被通緝的逃犯,變成了以暴制暴的“復(fù)仇獵人”,目標(biāo)是讓所有參與殺害他妻子的人,付出最慘痛的代價(jià)。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
陳薇(尹馨 飾)帶著女兒(林采潔 飾)為躲避家暴的丈夫住進(jìn)有自殺勝地之稱的蝴蝶大廈后怪事頻傳。管理員梁伯(馮淬帆 飾)和頂樓的廟公山叔(蔡振南 飾)不斷提醒她這一層樓不太干凈,如果有能力還是盡快搬走,但是經(jīng)濟(jì)拮據(jù)的她暫時(shí)只能棲身于此。各種三教九流的鄰居、雜貨鋪有陰陽眼的自閉癥男孩阿弟(白潤音 飾),還有那間被再三交代禁止靠近的613號(hào)房,一切都令陳薇感到詭異莫名。外表陽光的代班管理員小梁(曹佑寧 飾)對獨(dú)立堅(jiān)強(qiáng)的陳薇照顧有加,經(jīng)常借故上門幫忙維修家電,陳薇女兒看到他來也會(huì)難得露出微笑。正值鬼門開時(shí),蝴蝶大廈內(nèi)意外頻傳,甚至發(fā)生許多靈異事件,但老住戶們似乎已經(jīng)習(xí)以為常。陳薇原本是想帶女兒逃離丈夫,不料卻將自己卷入更大危機(jī)之中...