可恥的吉爾達

★ 9.5 播放：44萬 更新：2026-04-23

一個華麗的女人(莫妮卡·格雷托雷)發(fā)現(xiàn)她的丈夫在床上與一個完全陌生。充滿蔑視，女人離開，踏上了自己的色情發(fā)現(xiàn)之旅。她遇到了一位漫畫家，與他一起演繹了她所有的黑暗……完整的Descriptionfantasies。但是愛情游戲很快就惡化了，因為女人想要證明她的新情人，她可以真正跨越一切。

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劇情簡介

一個華麗的女人(莫妮卡·格雷托雷)發(fā)現(xiàn)她的丈夫在床上與一個完全陌生。充滿蔑視，女人離開，踏上了自己的色情發(fā)現(xiàn)之旅。她遇到了一位漫畫家，與他一起演繹了她所有的黑暗……完整的Descriptionfantasies。但是愛情游戲很快就惡化了，因為女人想要證明她的新情人，她可以真正跨越一切。

導演精選

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

穿越愛情線

　　寵愛女友的男主角，在好友幫忙下成功求婚。男主角當晚高興入眠。至第二天醒來，發(fā)現(xiàn)自己在一個陌生房間，身邊多了一個陌生女子，她告知是自己的老婆，驚訝之時才發(fā)現(xiàn)自己來到三年之后，離奇荒誕的事接踵而來，究竟為何會這樣？這三年又發(fā)生了什么事？本身的女友又去了哪里呢？

罪惡新月城

　　A small town in the south is ravaged by a serial killer, with everyone being a suspect including the police.