即刻觀影
劇情賞析
編輯推薦
捍衛(wèi)機(jī)密
基努·里維斯,迪娜·邁耶,北野武公元2021年，資料除了透過(guò)電腦輸送外，還可利用人腦運(yùn)輸。專業(yè)運(yùn)輸員尊尼為了運(yùn)送更多資料，不惜洗去自己的記憶。一次任務(wù)中，尊尼被客戶輸入過(guò)量資料，若他不在二十小時(shí)內(nèi)找到輸出密碼，他便會(huì)倒斃。另一方面，日本集團(tuán)為了奪取他腦內(nèi)的資料，也對(duì)他展開一場(chǎng)大追殺。
約定2024
片岡千之助,北香那,望海風(fēng)斗,山口紗彌加,春海四方,藤田朋子,淺野和之,余貴美子,武田鐵矢,風(fēng)吹淳,橋爪功錺（かざり）職人のもとに奉公していた幸助（片岡千之助）は、ようやく8年の年季が明けることになった。 幸助は幼馴染のお蝶（北 香那）という娘に想いを寄せていた。 5年前、幸助とお蝶は年季が明けるその日、刻は暮六ツに、萬(wàn)年橋で會(huì)う約束をしていた。 互いに想いながらもこの5年の間、幸助は人には言えない秘密を抱えていた。 また、お蝶の身にも幸助には話せない辛い思いがあった。 橋が見渡せる川辺からそっとお蝶を探す幸助。懐にはお蝶の為に作った簪（かんざし）が入っている。 果たして二人は萬(wàn)年橋で再會(huì)することができるのか……。
超凡世界
約翰·邁爾斯,Géza R?hrig,邁克爾·古爾德,海莉·卡邁克爾,奈德·丹內(nèi)利,赫立德·阿卜杜拉,艾力克·高敦,塔尼婭·雷諾茲,塔格·墨菲,揚(yáng)·貝弗特,凱特·迪基,薩姆·盧維克,阿德里安·勞林斯,Slavko Labovic,喬納森·凱斯,伯恩·戈曼,西蒙·曼勇達(dá),蒂姆· 普萊斯特,道格拉斯·羅素,拉多米爾·尼科利奇帶觀眾走入衰敗中的歐洲，來(lái)一趟超凡之旅。集結(jié)了黑色幽默和奇幻故事，講述一群人在碰上了一位陌生人之后，他們的生活開始崩壞。
人體亂碼
Michael Eklund,Karoline Herfurth,Tómas LemarquisDr Geoff Burton takes up a position at a new institute in wintry Dresden, Germany. His contribution to a former colleague’s important project, a human regeneration gene, has the potential to make something miraculous out of a personal tragedy that has haunted him for years. Errors of the Human Body is a psychological thriller about one man’s quest for redemption from his own disturbing past, set within the mysterious world of genetic engineering.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
最優(yōu)路徑
2087年，AI公司瀚海用“最優(yōu)路徑”接管人類社會(huì)，任何不服從的人都會(huì)被系統(tǒng)抹除。執(zhí)法者林墨終于抓回叛逃的女兒林躍，以為能用“意識(shí)同步”救她一命，卻在親手把她送上手術(shù)臺(tái)后發(fā)現(xiàn)：老板要的從來(lái)不是拯救，而是把她改造成終極兵器。