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茱莉婭的眼睛
貝倫·魯埃達(dá),路易斯·奧馬,巴勃羅·德爾基,茱莉亞·古鐵雷茲·卡巴,赫克托耳·克拉拉蒙 ,弗蘭塞斯克·奧雷利亞,克拉拉·塞古拉朱莉婭和莎拉（Belen Rueda 分飾）是一對孿生姐妹，這對美麗的姐妹花正當(dāng)盛年時卻罹患功能退化癥。1年前，莎拉的雙目完全失明，而朱莉婭的視力也在漸漸減退。某個晦暗之夜，莎拉上吊自殺。冥冥中自有感應(yīng)，朱莉婭心中備感不安，次日她和丈夫艾薩克（Lluis Homar 飾）驅(qū)車趕往妹妹的住所，等待他們的恰是難以置信的噩耗。然而種種跡象表明，莎拉似乎并非自殺身亡，她生前的最后一段時光仿佛有一個神秘的男子作陪?！ ≈炖驄I嘗試著追尋這些蛛絲馬跡，她的舉止令艾薩克甚為焦躁不安，而種種恐慌也讓她的視力加速衰退。在黑暗即將降臨的時刻，朱莉婭也隱約感知到一個來去無蹤的男子時刻逡巡在自己的身旁……
午夜之花
北川景子,森田望智,佐久間大介,渋谷龍?zhí)?澀川清彥,田中麗奈,光石研,池內(nèi)博之一個生活在社會邊緣的母親永島夏希（北川景子 飾），白天在便利店打工，晚上在小酒館兼職，努力維持家庭的溫飽，但為了實現(xiàn)兩個孩子的夢想，她不得已走上了成為毒販的道路。
致命錄像帶：超越
戴恩·迪利格羅,阿拉娜·皮爾斯,利比·萊特洛,米奇·霍洛維茨,納姆拉塔·謝斯,鮑比·斯萊斯基,馬修·雷頓,布蕾登·布魯納,湯姆·哈勒姆,詹姆斯·C·伯恩斯,喬琳·安德森,Brian Baker,Trevor Dow,Gerry Eng,薩姆·戈爾斯基,尼科·普金格,雷恩·韋奇曼,Tyler Andrews,瓦斯·普羅瓦塔基斯,菲利普·安德瑞·波鐵洛,Michael J. Sielaff,Morgan Chancelien,Chris Page,艾倫·馬克森,Blaine Magee,Morgan Mage通過一部偽紀(jì)錄片《未解之謎》五個故事娓娓道來：警察進(jìn)入古宅尋找孩子遭遇神秘生物；一群印度狗仔隊發(fā)現(xiàn)寶萊塢女星并非鏡頭般光鮮亮麗；幾個朋友必須在遭遇外星人入侵之后與客機(jī)相撞的高空跳傘中幸存；動物權(quán)利組織闖進(jìn)痛失愛犬的女士住宅后將經(jīng)歷至暗時刻；以及一位沙漠中的母親調(diào)查莫哈韋沙漠幽浮飛船后成為飛船偷渡者……
飛砂風(fēng)中轉(zhuǎn)
鄭伊健,陳小春,方中信,余安安,葉璇,陳子聰,劉浩龍和義盛坐館火水（方中信 飾）在篩選馬仔后備軍時，被一個開餐館的廚師火腩（陳小春 飾）所吸引，后者做的叫花雞味道鮮美，令他難忘。從此，他對火腩特別照顧，委以重任。找到了保護(hù)傘的火腩可以繼承祖業(yè)，跟妻子（葉璇 飾）夫唱婦隨經(jīng)營義盛小館，并盤算讓兒女進(jìn)入名校就讀。正在此時，金融危機(jī)來臨，方中信遇到困難，堂主之位不保，此時他希望能夠讓火腩做接班人，穩(wěn)定軍心。然而，和義盛開山祖師后人十三妹（余安安 飾）卻力薦剛出獄的兒子燕子文（鄭伊健 飾）出任堂主之位。于是，兩個本不想做堂主的后起之秀被架上了PK臺?；痣钪幌氚残慕?jīng)營自己的飯店，而燕子文則希望進(jìn)入大學(xué)進(jìn)修，無心戀戰(zhàn)的兩人將面臨一場怎樣的對決呢？
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster