　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

奇幻西游：新世界

許光漢,劉冠廷,庾澄慶,邵雨薇,庹宗華,鐘欣凌,魏如萱,許展榮,許展瑞

　　未來(lái)世界，科技與數(shù)據(jù)主宰一切，當(dāng)舊城區(qū)變得又老又?jǐn)D，以最新科技打造的新世界，成為人人向往的移居地，然而唯有貢獻(xiàn)值最高的菁英，才有資格入住。八戒（許光漢配音）又懶又自私當(dāng)然失格，但他為了讓奶奶（鐘欣凌配音）過(guò)好日子，決定違背良心，與建商總裁牛魔王（庹宗華配音）私下交易……　　影片將《西游記》搬到科幻場(chǎng)景，八戒化身賽博胖客，與理工男三藏（劉冠廷配音）、火爆護(hù)衛(wèi)悟空（庾澄慶配音）、女機(jī)器人小凈（邵雨薇配音），穿梭新舊混雜市景，探索幸福真諦。

自拍復(fù)印機(jī)

Shenina Cinnamon,奇科·庫(kù)爾尼亞萬(wàn),Lutesha,杰羅姆·庫(kù)尼亞,迪婭·潘德拉,Giulio Parengkuan,Mian Tiara,魯思·馬里尼,盧克曼·薩爾迪,Rukman Rosadi,Landung Simatupang,雅彥·魯伊安,Elisabeth Pasaribu,Budi Ros,東尼·達(dá)瑪拉

　　本片講述了主人公蘇爾因醉酒的一張自拍在網(wǎng)上瘋狂流傳后被取消享有獎(jiǎng)學(xué)金的資格，她的任課教師也受其牽連，并怒斥蘇爾。但蘇爾對(duì)于醉酒的當(dāng)晚發(fā)生的事情毫無(wú)記憶。于是，她開(kāi)始向朋友尋求幫助以究其原委。

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