嫁錯老公上錯床

★ 4.7 播放：67萬 更新：2026-05-03

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大話神探

　　廣告界名模戴李察原為名噪一時之大盜“一棚牙”，后因厭倦江湖，與舊拍檔阿蕊互相協(xié)議金盆洗手，而阿蕊亦轉(zhuǎn)而從良，下嫁刑事偵緝警官吳超人。察有一世侄志偉，欲得盜竊的真?zhèn)饕吕?，但為所拒，無奈志偉卻不罷休。另一方面，指揮官胡處長安排超人及當(dāng)紅干探?jīng)_鋒車，以一顆幾可亂真之寶石，由沖鋒車以歸僑身份，擺設(shè)酒會，實行布下香餌釣金鰲。當(dāng)沖鋒車公開展示寶石之際，志偉果然心癢難忍，在混亂中，將寶石盜取。沖鋒車奪回寶石...

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

超級火山

當(dāng)一座超級火山威脅到夏威夷島時，一組專家必須與時間賽跑，拯救那些在熔巖路徑上的人，并永遠阻止它。