強奸案中案
珍妮(徐曼華)的丈夫姚永遠(yuǎn)與情婦幽會時遭人殺害,而情婦受害前掙扎,把兇手的一角衣服撕下,緊握手中。翌日,珍妮竟接獲勒索一千萬元的電話,驚惶中,她決定報警求助。 由于調(diào)查案件的關(guān)系,警察幫辦阿Tom(潘偉)對珍妮深感同情,而不斷的接觸中,兩人的感情有了進(jìn)一步的發(fā)展,但在翻查檔案資料時,他發(fā)現(xiàn)姚永遠(yuǎn)和司機阿成數(shù)年前曾輪奸公司會計彭美美,惜由于證據(jù)不足被判無罪釋放;而彭美美則因受不了而自殺身亡;至于姚永遠(yuǎn)生前曾把大量資金注入巴西的一家公司,見證人司徒海的夫人Sandy Lee原來就是彭美美的好友。 不久,警方發(fā)現(xiàn)情婦的尸體,而她手中的碎布正是阿成的那件衫,于是他被警方落案起訴。誰知當(dāng)阿成保釋外出后即遭殺手殺死,Tom開始覺得案件愈趨復(fù)雜,案中有案。表面上,案件好像已找到了原兇,但實質(zhì)仍未終結(jié),耐人尋味。富商姚永達(dá)有一種特殊性癖好,就是強奸女人,在多年來受害女性不計其數(shù),而司機阿成更和他同流合污,在一次,姚往其情婦家中風(fēng)流快活之時,被賊人在家中擊殺二人。賊人更向其妻索款一千萬,後報警求助,探員Dick接手此案,更興其妻發(fā)生關(guān)系,此時,Dick發(fā)現(xiàn)此案不是表面所見那麼簡單,原來是案中有案。 演職員表
播放通道
詳細(xì)簡介
熱門影視 大家都在看
公寓管理員
帕特里克·約翰·弗呂格,方·基默,路易莎·克勞瑟,保羅·本-維克托,尤爾·瓦斯克斯,梅麗莎·博洛納,金·迪萊克特,阿曼達(dá)·沃倫,斯坦·德米多夫,盧克·愛德華茲,艾麗克斯·埃索,Mattea Conforti,泰勒·理查森,Andrea Lynn Green,Travaris Spears,奧基里特·奧諾多瓦再見六月
凱特·溫斯萊特,托妮·科萊特,海倫·米倫,安德麗婭·賴斯伯勒,蒂莫西·斯波,約翰尼·弗林,斯戴芬·莫昌特,杰里米·斯威夫特,拉扎·杰夫里,詹姆斯·德萊頓,費塞友·阿金那德,李丹,Flora Jacoby Richardson,米歇爾·帕克,Nancy Hannan,James Trevelyan Buckle,Elias Whittaker,Benjamin Shortland,Billie Wren-Grace Butler,Nellie Rae-Grace Butler復(fù)仇新娘
凱蒂·勒克萊齊,杰夫·辛,漢娜·巴爾福特,本·加文,Kendra Carelli,尼克·巴拉德,Charles Christopher,Denny Dormody,肯特·法爾考,Heather Horton,Jana Lewis七個以下
方·基默,文·瑞姆斯,魯克·高斯血觀音
惠英紅,吳可熙,文淇,柯佳嬿,陳莎莉,丁強,劉尚謙,林志儒,王月,溫貞菱,王偉六,陳珮騏,尹昭德,大久保麻梨子,巫書維,顏毓麟,劉越逖,傅子純,陳武康,施名帥,秀蘭瑪雅,應(yīng)朗豐,李銓送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon同類推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
傷心童話
劉詩詩,胡夏,大左,謝楠,徐正超,伊力奇,楊悅,付滃,張子棟,趙佳怡,鞠泓宇,張一鳴,葉清源影視公司宣傳企劃楊佳(劉詩詩 飾)得了怪病,命懸一線。暗戀她的程序員劉同(胡夏 飾)為使她不留遺憾,決定在她每次昏迷蘇醒之際,以穿越之名為她圓夢。但,劉同的行動并不順利,除了突發(fā)情況帶來的穿幫,還有來自情敵尹哲(大左 飾)的奮力阻撓、戳穿。劉同竭盡全力與重重困難斗智斗勇,結(jié)果卻完全出人意料——原來,楊佳并非真病,她是為對付上司騷擾,佯作患疾。劉同的努力,她完全明了,劉同為她精心設(shè)計的從民國到未來,跨越200年的美妙夢境,讓楊佳深受感動。大家到此方才恍然大悟??墒牵忠粋€意外橫飛而來……
送葬人2023
那塔烏·桑亞布,察猜·欽西,Thanadon Buarabat,Nek Naruepol,Phuwanet Seechomphu,蒂提·斯里努亞爾,Siriamol Onkoon講述一名法學(xué)院畢業(yè)生喬德回到家鄉(xiāng)準(zhǔn)備司法考試,但做殯葬業(yè)的父親卻生病了,怕鬼的他只好硬著頭皮協(xié)助家業(yè)。而錫安因為無法接受前女友的死亡,想方設(shè)法希望能再跟她見上一面,因此來幫喬德的忙。究竟在這個生與死交會的地方,他們會遇見什么樣的故事呢?
異變者
綾野剛,成田凌,岸井雪乃,石井杏奈,內(nèi)野圣陽一位無家可歸的失憶男子接受一場實驗性醫(yī)學(xué)手術(shù),術(shù)后醒來發(fā)現(xiàn)自己獲得新的能力,可以看穿人們內(nèi)心最深處的傷痛,真實和幻象之間的界線也因而模糊難辨。
時裝
安吉麗娜·朱莉,阿尼爾·阿內(nèi)伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀(jì)堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時裝周的狂熱中,三位女性在巴黎的生活中不期而遇,她們一邊應(yīng)對著世界的悲劇,一邊思索著自己人生的問題:麥克斯(Maxine),一位40多歲的美國電影導(dǎo)演,發(fā)現(xiàn)自己患上了癌癥;阿達(dá)(Ada),一位年輕的南蘇丹模特,逃離了她注定的命運,卻被推入了一個充滿欺騙的世界;安吉爾(Angèle),一位在T臺幕后默默工作的法國化妝師,夢想著逃離自己的生活。