黎巴嫩感情

? 6.2 播放：57萬 2026-04-22
主演：未知

A暫無內(nèi)容man暫無內(nèi)容chases暫無內(nèi)容a暫無內(nèi)容woman.暫無內(nèi)容She暫無內(nèi)容runs暫無內(nèi)容by暫無內(nèi)容and暫無內(nèi)容then暫無內(nèi)容meets暫無內(nèi)容another暫無內(nèi)容man.暫無內(nèi)容The暫無內(nèi)容film暫無內(nèi)容shows暫無內(nèi)容desolate暫無內(nèi)容sights.暫無內(nèi)容The暫無內(nèi)容director’s暫無內(nèi)容intention暫無內(nèi)容to暫無內(nèi)容show暫無內(nèi)容indescribable暫無內(nèi)容emotions暫無內(nèi)容comes暫無內(nèi)容up暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容frames.

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劇情提要

A暫無內(nèi)容man暫無內(nèi)容chases暫無內(nèi)容a暫無內(nèi)容woman.暫無內(nèi)容She暫無內(nèi)容runs暫無內(nèi)容by暫無內(nèi)容and暫無內(nèi)容then暫無內(nèi)容meets暫無內(nèi)容another暫無內(nèi)容man.暫無內(nèi)容The暫無內(nèi)容film暫無內(nèi)容shows暫無內(nèi)容desolate暫無內(nèi)容sights.暫無內(nèi)容The暫無內(nèi)容director’s暫無內(nèi)容intention暫無內(nèi)容to暫無內(nèi)容show暫無內(nèi)容indescribable暫無內(nèi)容emotions暫無內(nèi)容comes暫無內(nèi)容up暫無內(nèi)容in暫無內(nèi)容the暫無內(nèi)容frames.

幕后花絮

不可饒恕2013

　　結(jié)束了德川幕府的統(tǒng)治，明治政府巍然確立。當年叱咤風云的“劊子手”釜田十兵衛(wèi)（渡邊謙 飾），作為幕府余黨在荒蕪寒冷的北海道過起隱姓埋名的生活。他當年對亡妻許下封印殺人刀的約定，通過勞作養(yǎng)活自己和兩個孩子，但殘酷的生存環(huán)境仍讓他感到力不從心。這一日，十兵衛(wèi)當年的戰(zhàn)友馬場金吾（柄本明 飾）前來造訪。原來附近一座小鎮(zhèn)上，美麗的妓女夏目（忽那汐里 飾）被粗暴的女人毀容，但是警察署長大石一藏（佐藤浩市 飾）卻包庇縱容。夏目的同伴們湊錢尋找賞金殺手，無奈膽敢來犯的人們均被大石殘暴摧折。為了改善孩子們的生活，十兵衛(wèi)和馬場上路，并在路上結(jié)識了懷著同一個目標的阿伊努族青年（柳樂優(yōu)彌 飾）。三人一路同行，等待他們的將是未知的命運……　　本片翻拍自克林特·伊斯特伍德的同名之作。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.