鏈-兩個女人的誘惑

陰影村

　　九位年輕人, 一同出游到一個叫做法國鄉(xiāng)間的魯福瑞村去度假, 殊不知此村莊在上百年前的法國大革命時, 就已經(jīng)受到死亡的詛咒, 每八年就會有慘案發(fā)生, 九位年輕人一到達(dá)村莊後, 便一個個消失, 這個神秘的村莊到底發(fā)生了什麼事?

治療尸

　　如果靈魂離開了身軀，肉體還是正?；顒?，該怎么去解釋這種生命形態(tài)？余燕（陳郡君飾）早晨醒來便覺得身體有異常，先后與家人和男友許德（張立昂飾）發(fā)生爭執(zhí)，盛怒的余燕轉(zhuǎn)身離去，隨后發(fā)生車禍。經(jīng)醫(yī)生搶救逃過死劫，卻找不到心跳。此時她被劫走，醒來后身處在地下密室，研究失魂者的胡教授解釋余燕會失去魂魄，是因為內(nèi)心有強(qiáng)烈的負(fù)面磁場，一旦受到?jīng)_擊，靈魂就會脫離身體。余燕需要在72小時內(nèi)把自己的靈魂找回來，才能夠恢復(fù)正常。

19 十九

貘之歌

四個背景經(jīng)歷各不相同的年輕人在北京的一個出租屋里喝酒，但因為想法不一，互相有一些矛盾然后打了一架，警察介入，之后結(jié)束。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster