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外星+人
柳俊烈,金宇彬,金泰梨,蘇志燮,廉晶雅,趙祐鎮(zhèn),金義城,李荷妮,申正根,李時勛該片講述了道士們爭奪傳聞中神劍的高麗末期和外星人出沒的2022年之間的時光之門被打開后，引發(fā)的異想天開的故事。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
正面還是反面？
娜迪亞·特列什科維奇,亞歷桑德羅·博爾吉,約翰·C·賴利,皮特·藍薩尼,米爾科·阿圖索,加布里埃萊·西里,吉昂尼·嘉科,羅伯特·阿蘭·帕卡德,喬吉歐·曼涅提,薩蒂·勒潑因特,費德里科·阿克羅尼,伊曼努埃拉·奧納吉,布魯諾·迪·吉奧瓦尼,塞弗里諾·斯佩蘭迪歐,杜門尼克·奇奧茲,薇歐拉·索爾達尼,克勞狄歐·卡斯托利20世紀初，在一場致命的牛仔競技后，羅莎與她的情人踏上逃亡之路，穿越意大利荒野，試圖擺脫追捕。他們的身后，是傳奇人物“水牛比爾”——他不僅是追蹤者，更是掌控故事的人。他拒絕改寫自己版本的真相，而羅莎的命運也因此被卷入一段被掩蓋的往事。隨著旅程深入，逃亡逐漸演變?yōu)橐粓鲫P(guān)于身份、記憶與敘事權(quán)的較量。在現(xiàn)實與傳說交織的邊界上，羅莎必須決定是否繼續(xù)逃避，或重新掌握屬于自己的故事。
狄仁杰之彼岸奇花
陳浩民,尚娜,劉金,金寧,崔冬辰,陳宇星,劉威州狄武周天授元年，嶺南潞州城司馬孔成業(yè)迷戀修道煉丹，傳聞?wù)业搅碎L生不老丹的藥方，只缺一味名叫彼岸花的奇草。傳言這是來自地獄的死亡之花，常年生長在墳冢幽谷之中，能致人產(chǎn)生幻覺，中幻覺者如妖邪附體般，發(fā)狂發(fā)癲，死狀凄慘?！ 】壮蓸I(yè)發(fā)出懸賞，采到彼岸花者，賞百金。山民獵戶等紛紛進山尋找，連孔成業(yè)也帶人到處扒墳冢、探幽谷。忙活的孔成業(yè)突然慘死，死前發(fā)狂。連他的幾名參軍也死相極慘，都說孔成業(yè)采到了彼岸花，被妖邪附身殺死，鬧得滿城風(fēng)雨。潞州刺史陸英杰上報朝廷，恰逢狄仁杰巡查嶺南諸州，女皇武則天命其前往潞州，全權(quán)調(diào)查此案.。
冰球小子
保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,一名過氣冰上曲棍球教練，在麻州小鎮(zhèn)中領(lǐng)導(dǎo)一隊二流球隊輾轉(zhuǎn)作戰(zhàn)，終于在最后一場比賽中挽回他失落的名聲。這是一部拍得相當(dāng)直率粗暴的男性化運動片，冰上曲棍球的比賽場面經(jīng)常可見互毆和流血鏡頭，加上對白的"四字經(jīng)"不絕于耳，當(dāng)年首映時也引起了不少爭論。曾經(jīng)合作過金像獎電影《刺激：騙中騙》的導(dǎo)演喬治·萊希爾和明星保羅·紐曼，再一次表現(xiàn)出賣力的成績。
未來之心
喬新峰,曹艷,張恩碩,張德暉,宮蘇紋余書(喬新峰飾演)與梁瀾(曹燕飾演)夫婦研發(fā)了革命性AI“超心智腦”，旨在復(fù)原古生物生態(tài)。因兒子(張恩碩飾演)重病急需資金，二人分道揚鑣：梁瀾與投資人何叔(張德暉飾演)合作，將AI用于建造賽博機械樂園；余書則攜子離開，堅信技術(shù)不應(yīng)淪為娛樂工具。多年后為救子，余書登島交出原始代碼。不料程序遭竊，機械巨獸失控暴走。危機關(guān)頭，何叔犧牲自我換取生機，余書夫婦最終聯(lián)手重啟初代代碼，關(guān)閉系統(tǒng)，阻止災(zāi)難。離島后，他們發(fā)現(xiàn)何叔留下的代碼備份與醫(yī)療資源。兒子康復(fù)后，將這段經(jīng)歷寫成小說《未來之心》，見證科技、人性與愛的交織。