即刻觀影
劇情賞析
編輯推薦
敵對(duì)維度
Stephen Beavis,Cedric Gall,Graham Hughes,Paddy Kondracki,Annabel Logan,Lucy the Dog,Josie Rogers,Andy Stewart,Joma West講述了兩位紀(jì)錄片制作人決定調(diào)查一位涂鴉藝術(shù)家的失蹤事件。隨著調(diào)查的深入，這兩位制作人遭遇到了一扇詭異的憑空出現(xiàn)的木門，這扇門引領(lǐng)他們穿梭于不同的空間，同時(shí)開(kāi)啟了一段黑暗的噩夢(mèng)之旅。本來(lái)只是調(diào)查失蹤事件的兩人很快便意識(shí)到，自己陷進(jìn)了超乎想象的可怕旋渦之中...
金剛的逆襲
寶田明,羅茲·利森,濱美枝,琳達(dá)·米勒,天本英世60年代的日本人似乎對(duì)這個(gè)大黑猩猩情有獨(dú)鐘，在玩遍了各種哥斯拉的故事之后，依然將金剛的神奇遭遇不停地向人們展示、炫耀。光看他的故事就能讓人嚇一跳：科學(xué)家制造出了一個(gè)機(jī)械金剛，用來(lái)在北極挖掘神秘的X元素，與此同時(shí)邪惡的博士綁架了真正的金剛，令其干同樣的活，因此，機(jī)械金剛與原形之間的連番惡斗就在所難免了。
暗泳
懷亞特·拉塞爾,凱瑞·康頓,艾米麗·霍菲爾,加文·沃倫,南希·利內(nèi)翰,本·辛克萊爾,喬迪·朗,埃迪·馬丁內(nèi)斯,普雷斯頓·加利,埃莉·阿萊扎,艾萬(wàn)·烏塔帕,埃莉諾·T·斯雷特,以利亞·J·羅伯茨“不準(zhǔn)奔跑、不準(zhǔn)跳水，天黑以后沒(méi)有救生員值勤，不準(zhǔn)游泳。” 影片根據(jù)2014年拍攝的同名短片改編，內(nèi)心深處希望能夠戰(zhàn)勝病魔，再度回歸美國(guó)職棒大聯(lián)盟打球的雷（懷亞特·拉塞爾 Wyatt Russell 飾）和他的太太伊芙（凱瑞·康頓 Kerry Condon 飾）搬進(jìn)新家，后院的游泳池不僅讓孩子們玩得開(kāi)心，也能夠讓他進(jìn)行物理治療，然而這棟房子陰暗神秘的過(guò)去即將釋放一股邪惡力量，把這一家人拉進(jìn)無(wú)法逃脫的恐怖深淵。
孤獨(dú)監(jiān)禁
大衛(wèi)·奧伊羅,魯奇婭·伯納德,吉米·費(fèi)爾斯,奧利維亞·華盛頓,托馬斯·卡德羅特,亞歷山大·索托,Naomi Simpson,瑞恩·馬爾凱,Gerardo Barcala,凱特·蓋多西克,Trell Isaac,Julie Nolin,Matthew Mylrea,Aiden Stoxx,Alexander Davis,Glenn Hoffmann,巴里·佩珀,Nigel Gentry,Gavin Turnbull,Yorkie JoaquinA man in solitary confinement for seven years comes out into a world of self-isolation.
毛骨悚然撞鬼經(jīng) 2020秋季特別篇
稻垣吾郎,上白石萌音,片岡愛(ài)之助,水上恒司,川島鈴遙,桐谷美玲,菜菜緒,長(zhǎng)澤雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田繪梨花,生駒里奈,白石麻衣,西野七瀨,齋藤飛鳥(niǎo),佐藤健本集收錄新作《造了不開(kāi)啟的房間》《有內(nèi)情的KTV》及過(guò)去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書(shū)本招來(lái)的幽靈》《出租車司機(jī)的經(jīng)歷》《多出一人的電梯》《顏之道》。
公寓2024
斯文·索奇塔,細(xì)田善彥,Rous Mony,Touch Narady,ManikaFollowing her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.