性幻想狂

★ 1.1 播放：40萬(wàn) 更新：2026-04-22

一刀未剪版本，工作之余，城市垃圾清理工人Sergio（Ricardo Meneses）會(huì)像他養(yǎng)的狗一樣到處聞嗅男人的氣味，并用或試探或強(qiáng)迫的方式與他們發(fā)生x愛(ài)，他愛(ài)玩SM，獨(dú)處時(shí)喜歡在自虐中達(dá)到性高潮。 當(dāng)女同事向他示愛(ài)時(shí)，他粗暴地給予拒絕，能讓他提起興趣的事只有帶著他的狗邊在里斯本的夜色中亂逛邊幻想致命x愛(ài)。 某日他在泳池看上一游泳運(yùn)動(dòng)員，開(kāi)始將其跟蹤。逐漸地，他的行為由偷窺該運(yùn)動(dòng)員淋浴變成揀翻他的垃圾、偷偷潛入他的房間。而在被他粗暴拒絕之后，欲望得不到滿足的Sergio計(jì)劃將他報(bào)復(fù)。 　　

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劇情簡(jiǎn)介

一刀未剪版本，工作之余，城市垃圾清理工人Sergio（Ricardo Meneses）會(huì)像他養(yǎng)的狗一樣到處聞嗅男人的氣味，并用或試探或強(qiáng)迫的方式與他們發(fā)生x愛(ài)，他愛(ài)玩SM，獨(dú)處時(shí)喜歡在自虐中達(dá)到性高潮。 當(dāng)女同事向他示愛(ài)時(shí)，他粗暴地給予拒絕，能讓他提起興趣的事只有帶著他的狗邊在里斯本的夜色中亂逛邊幻想致命x愛(ài)。 某日他在泳池看上一游泳運(yùn)動(dòng)員，開(kāi)始將其跟蹤。逐漸地，他的行為由偷窺該運(yùn)動(dòng)員淋浴變成揀翻他的垃圾、偷偷潛入他的房間。而在被他粗暴拒絕之后，欲望得不到滿足的Sergio計(jì)劃將他報(bào)復(fù)。 　　

導(dǎo)演精選

印度超人3

　　在擊敗了邪惡的博士，救回了父親洛赫特（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）之后，克里希那（赫里尼克·羅斯?jié)h Hrithik Roshan 飾）和戀人普瑞雅（樸雅卡·喬普拉 Priyanka Chopra 飾）總算攜手步入了婚姻的殿堂，過(guò)上了平靜而又幸福的生活。而洛赫特利則用他的聰明才智制作了很多造福社會(huì)的發(fā)明?！　∪欢蠹叶紱](méi)有想到的是，在一片平靜祥和的氣氛之下，邪惡亦在慢慢滋生。一個(gè)名叫卡爾（維克·奧貝歐 Vivek Oberoi 飾）的邪惡天才，正在利用他的智慧組建一直非常危險(xiǎn)的軍隊(duì)，企圖給人類帶來(lái)前所未有的危機(jī)。當(dāng)克里希那挺身而出和卡爾展開(kāi)對(duì)抗時(shí)，他并不知道，此次，為了保護(hù)世界的和平，他將付出比以往多得多的代價(jià)。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

邊境戰(zhàn)爭(zhēng)2

1971年印巴戰(zhàn)爭(zhēng)期間，年輕的印度戰(zhàn)士準(zhǔn)備保護(hù)自己的家園免受更大的威脅。