謀性

　　校園里的一場大冒險演變成了都市傳說。當青少年們召喚“藍寶寶”時，某種東西回應了他們。這場游戲蔓延開來，留下的是悲傷和私語。阻止它意味著要面對第一次召喚，以及被召喚的代價。

　　《沉睡之地》將觀眾帶到了一個神奇的新地方，在這個夢幻世界里，人小鬼大的尼莫（瑪洛·巴克利飾）和她古怪的同伴弗利普（杰森·莫瑪飾）開啟了終生難忘的冒險之旅。父親皮特（凱爾·錢德勒飾）意外在海上失蹤后，小尼莫在西北太平洋田園般的生活被徹底顛覆，她被送到城市，和她心地善良卻極其笨拙的叔叔菲利普（克里斯·奧多德飾）一起生活。她的新學校和新生活在白天充滿挑戰(zhàn)，而到了晚上，一張通往沉睡之地奇幻世界的秘密地圖讓尼莫和弗利普建立了友誼。弗利普是一個性格粗暴但有點可愛的不法之徒，是尼莫的同伴和向?qū)?。尼莫和弗利普很快便踏上了一段穿越夢境、逃離噩夢的不可思議的旅程，并開始希望她能再次與父親團聚?！　　冻了亍酚筛ダ饰魉埂趥愃梗ā段沂莻髌妗贰娥囸I游戲 2：星火燎原》《饑餓游戲 3：嘲笑鳥》）執(zhí)導，大衛(wèi)·蓋恩和邁克爾·漢德爾曼（《博物館奇妙夜 3》）擔任編劇，彼得·切寧、詹諾·托平、戴維·雷迪和弗朗西斯·勞倫斯共同擔任制片人。該電影主演還包括韋魯切·歐皮亞、茵地亞·德·比尤福特和亨伯利·岡薩雷斯。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　故事發(fā)生在位于伊利諾斯州的哈登菲爾德小鎮(zhèn)。臭名昭著的殺人狂邁克爾（泰勒·梅恩 Tyler Mane 飾）終于倒在了少女勞利（絲柯·泰勒-考普頓 Scout Taylor-Compton 飾）的槍下，然而之后他的尸體卻神秘的消失了，與此同時，在醫(yī)院里，出現(xiàn)了一個身份詭異而又神秘的病人，又一場血腥的殺戮即將拉開序幕。　　幸運的勞利再一次的從邁克爾的屠刀下死里逃生，可是，巨大的陰影始終籠罩在她的周圍，因為她知道，邁克爾一天不死，就總會再度回到她的身邊。一晃眼一年過去，萬圣節(jié)又要來了，與此同時將要舉辦的，是死難者的紀念會。勞利能夠感覺到，一雙熟悉的眼睛正在默默的注視著她。