機密重案組之致命誘惑

★ 0.3 播放:32萬 更新:2026-04-23
主演:吳妙儀 宣彤 

王明奉冰姬之命往進(jìn)行軍火交易,但被警方監(jiān)視,欲拘捕,卻被王明逃去,冰姬疑王明不忠,將他殺死,但為探員Rocky所擒,冰姬以美色誘Rocky,設(shè)計,將他殺害后逃脫.重案組幫辦Cindy被上司責(zé)備,并將案件轉(zhuǎn)交特別行動組接手.Cindy心生不忿,決私下追查冰姬下落.冰姬伏擊Cindy欲與她同歸于盡,Cindy情況危急,如何脫身......

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劇情簡介

王明奉冰姬之命往進(jìn)行軍火交易,但被警方監(jiān)視,欲拘捕,卻被王明逃去,冰姬疑王明不忠,將他殺死,但為探員Rocky所擒,冰姬以美色誘Rocky,設(shè)計,將他殺害后逃脫.重案組幫辦Cindy被上司責(zé)備,并將案件轉(zhuǎn)交特別行動組接手.Cindy心生不忿,決私下追查冰姬下落.冰姬伏擊Cindy欲與她同歸于盡,Cindy情況危急,如何脫身......

導(dǎo)演精選

岳家小將

 公元1126年,北宋靖康元年。漠北女真人以4萬鐵騎入侵中原。由于太上皇宋徽宗的昏聵以及軍備疏散,金兵長驅(qū)直入,如入無人之境。一路燒殺搶掠,直攻到東京汴梁。城破之日,金兵虜徽、欽二帝,是為靖康之恥。此后欽宗之弟趙高繼位,是為高宗。一代英雄岳飛護(hù)佑高宗,被困牛頭山。為迫岳飛投降,金將兀術(shù)派二太子金彈子(張成忠 飾)、三公主銀鈴子(張希玲 飾)和張兆奴(張躍寧 飾)前去偷襲岳家莊,欲虜岳母以作要挾。岳飛之子岳云(尋峰 飾)自幼喜好舞槍弄棒,一雙銀錘使得風(fēng)生水起。他聞聽父親被困牛頭山,計劃偷偷前往助陣,卻被幾個兄弟掣肘。牛皋之子牛通(劉衛(wèi)民 飾)偶然遇見偽裝后的金彈子等人,無意中得知偷襲計劃,于是連忙趕往岳家莊報信。得知消息的岳家小將們整飭裝備,等待即將到來的一場大戰(zhàn)……

杰夫·羅斯:帶蕉上路

在9月29日結(jié)束為期八周的有限活動后,《香蕉騎行》據(jù)說向羅斯展示了不同的一面,這是一場結(jié)合了喜劇、自傳體故事和音樂元素的更個人化、更發(fā)自內(nèi)心的表演。這部劇是關(guān)于慶祝生活、紀(jì)念損失和為生活中的意外事件做好準(zhǔn)備。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.