獨(dú)自去偷歡

? 2.9 播放：99萬 2026-04-24

某集團(tuán)老總宋浩賢，年少有為早承父業(yè)，對(duì)公司各方面管理得有條不紊。因?yàn)槭聵I(yè)心大重?zé)o時(shí)刻結(jié)識(shí)異性，由此感情上除了他表妹CANDY一貫暗戀他之外，總數(shù)是一片空白。在一個(gè)晚上的浩賢為避開CANDY的癡纏，單獨(dú)駕馭其貴重跑車前遇見一極具姿色的少女雪兒，浩賢就在那電光火石間被雪兒氣質(zhì)深深招引。浩賢竭力打開尋求雪兒，因?yàn)檠﹥菏蔷频旯P(guān)小姐，遭受表妹CANDY的輕視及媽媽對(duì)立，浩賢打破種種艱難，總算.......... 　　

在線觀看

? 播放 獨(dú)自去偷歡

劇情提要

某集團(tuán)老總宋浩賢，年少有為早承父業(yè)，對(duì)公司各方面管理得有條不紊。因?yàn)槭聵I(yè)心大重?zé)o時(shí)刻結(jié)識(shí)異性，由此感情上除了他表妹CANDY一貫暗戀他之外，總數(shù)是一片空白。在一個(gè)晚上的浩賢為避開CANDY的癡纏，單獨(dú)駕馭其貴重跑車前遇見一極具姿色的少女雪兒，浩賢就在那電光火石間被雪兒氣質(zhì)深深招引。浩賢竭力打開尋求雪兒，因?yàn)檠﹥菏蔷频旯P(guān)小姐，遭受表妹CANDY的輕視及媽媽對(duì)立，浩賢打破種種艱難，總算.......... 　　

幕后花絮

記憶裂痕：血親幻影

國際知名微縮畫家Alif遭遇嚴(yán)重車禍后失憶，一名老婦人突然現(xiàn)身，自稱是他失散18年的母親。Alif在拼湊破碎記憶的過程中，逐漸發(fā)現(xiàn)母親的身份疑點(diǎn)重重，同時(shí)揭開了自己童年、家族與馬林?昆當(dāng)傳說背后的黑暗真相。他必須在身份崩塌與創(chuàng)傷反噬中，直面自己的過去，終結(jié)這場(chǎng)由傳說編織的懸疑迷局。

好像一切都很糟糕

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster