獨(dú)自站立
中年馬肉販子（Philippe暫無(wú)內(nèi)容Nahon暫無(wú)內(nèi)容菲利普?諾漢暫無(wú)內(nèi)容飾）的妻子在女兒辛西婭出生不久后離家出走，他獨(dú)自經(jīng)營(yíng)店鋪，將智障女兒（Blandine暫無(wú)內(nèi)容Lenoir暫無(wú)內(nèi)容飾）養(yǎng)育成人。某日他毆打了企圖非禮女兒的小混混，而入獄服刑。出獄后，馬肉販子與咖啡店女老板（Frankie暫無(wú)內(nèi)容P暫無(wú)內(nèi)容ain暫無(wú)內(nèi)容飾）相好，搬到郊區(qū)，準(zhǔn)備開(kāi)始新的生活。但好景不長(zhǎng)，兩人吵翻。他返回巴黎，希望找到一份工作，或從朋友處得到幫助，結(jié)果卻總是失望。最后他將女兒接回公寓，沒(méi)有食物，沒(méi)有金錢(qián)，只有一把槍和三顆子彈……
即刻觀影
劇情賞析
編輯推薦
跳動(dòng)的心2
特里普蒂·迪姆里,維品·沙爾馬,希坦特·查杜爾韋迪這部電影探討了社會(huì)思想中根深蒂固的階級(jí)和地位障礙，強(qiáng)調(diào)了一種永遠(yuǎn)無(wú)法實(shí)現(xiàn)的愛(ài)情敘事。還是可以？
韓國(guó)制造的我
普里揚(yáng)卡·阿魯莫漢,樸惠珍一位來(lái)自泰米爾納德邦小鎮(zhèn)的女子移居夢(mèng)寐以求的韓國(guó)，卻難以在異國(guó)他鄉(xiāng)站穩(wěn)腳跟。
第18朵玫瑰
尼基·瓦爾迪茲,克里斯·維拉努瓦,Yayo Aguila,蔡·科爾特斯,Donna Cariaga,Kira Balinger,VJ Mendoza,Timothy Castillo,Tuesday Vargas活力少女夢(mèng)想著一場(chǎng)完美的成人禮，于是與孤獨(dú)的新來(lái)者達(dá)成一項(xiàng)協(xié)議，但意外的心動(dòng)和真相也許會(huì)讓計(jì)劃徹底泡湯。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
冰球小子
保羅·紐曼,斯特羅瑟·馬丁,邁克爾·昂吉恩,珍妮弗·沃倫,林賽·克洛斯,杰里·豪澤,Andrew Duncan,Jeff Carlson,Steve Carlson,David Hanson,Yvon Barrette,Allan F. Nicholls,布拉德·蘇利文,斯蒂芬·門(mén)迪洛,Yvan Ponton,馬修·考爾斯,Kathryn Walker,梅林達(dá)·狄龍,M·埃梅特·沃爾什,斯薇茲·昆茨,Ronald L. Docken,Guido Tenesi,Jean Rosario Tetreault,一名過(guò)氣冰上曲棍球教練，在麻州小鎮(zhèn)中領(lǐng)導(dǎo)一隊(duì)二流球隊(duì)輾轉(zhuǎn)作戰(zhàn)，終于在最后一場(chǎng)比賽中挽回他失落的名聲。這是一部拍得相當(dāng)直率粗暴的男性化運(yùn)動(dòng)片，冰上曲棍球的比賽場(chǎng)面經(jīng)?？梢?jiàn)互毆和流血鏡頭，加上對(duì)白的"四字經(jīng)"不絕于耳，當(dāng)年首映時(shí)也引起了不少爭(zhēng)論。曾經(jīng)合作過(guò)金像獎(jiǎng)電影《刺激：騙中騙》的導(dǎo)演喬治·萊希爾和明星保羅·紐曼，再一次表現(xiàn)出賣(mài)力的成績(jī)。
致命玩笑2
凱拉（勞拉·喬丹 Laura Jordan 飾）、梅麗莎（尼姬·?？怂?Nicki Aycox 飾）、鮑比（尼克·扎諾 Nick Zano 飾）和尼克（凱爾·施密德 Kyle Schmid 飾）等四個(gè)年輕人正驅(qū)車(chē)前往拉斯維加斯，準(zhǔn)備參加那里舉行的聚會(huì)。他們的車(chē)載半路拋錨，四人尋求幫助時(shí)在荒野找到一座空無(wú)一人的房子，繼而在倉(cāng)庫(kù)里找到一輛跑車(chē)。經(jīng)過(guò)一番討論，他們決定留下聯(lián)系方式，暫時(shí)把車(chē)開(kāi)走，并負(fù)責(zé)賠償車(chē)主的損失。 然而他們的想法過(guò)于天真，這輛汽車(chē)的主人正是恐怖的銹釘（馬克·吉本 Mark Gibbon 飾），凱拉等人破門(mén)而入和偷走汽車(chē)的行為徹底惹惱了他，銹釘?shù)寞偪襻鳙C也隨即展開(kāi)。凱拉等人命懸一線…