劇情簡(jiǎn)介
查理在舞海邂逅如花貌美的淑姬,兩人墮入情網(wǎng),淑姬決定從良與查理結(jié)為夫婦,并打予查理經(jīng)營(yíng)酒吧。婚后兩人感情由燦催于平淡,查理開始不安于室,四處拈花惹草,淑姬氣在心頭滿不是味兒。一天酒吧出現(xiàn)了一名英俊流浪漢來尋生計(jì),淑姬靈機(jī)一觸,悉心安排了一個(gè)蛇蝎毒計(jì),將查理引入一個(gè)血腥的性游戲里,以泄她心頭之恨。
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好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
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機(jī)器生活
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喪尸足球
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正直的候選人2
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