劇情簡介
《馬庫巴性經(jīng)》Macumba Sexual 西班牙傳奇色導(dǎo)Jess Franco1983年的一部，這老鴨嫩的拍過180多部情色片，用過幾十個化名....
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耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
羅薩里奧
大衛(wèi)·達斯馬齊連,何塞·祖尼加,艾米莉亞·福徹,保羅·本-維克托,埃默羅德·圖比亞,尼克·巴拉德,戴安娜·萊茵,Indhira Serrano,盧納·巴克斯特,Guillermo García,康斯坦薩·古鐵雷斯,加瑪爾·迪拉德,Isabella Hoyos,Daniel Abubakar Asema,Juan Camilo Salgado,Don Gellver,Deicy Campos蘿賽李奧（埃默羅德·圖比亞 飾）是一名成功的華爾街股票經(jīng)紀人。某天，蘿賽李奧接到祖母意外過世的消息，于是前往祖母居住的公寓查看狀況。因為暴風雪的關(guān)系，蘿賽李奧被迫與祖母的遺體共度一夜。這時，一股邪惡力量占據(jù)了祖母的遺體，蘿賽李奧成為家族世代流傳詛咒的目標……。
喂，應(yīng)為
長澤雅美,永瀨正敏,高橋海人,大谷亮平,筱井英介,奧野瑛太,寺島忍葛飾應(yīng)為生活在藝術(shù)幾乎完全由男性主導(dǎo)的江戶時代，盡管她是北齋之女，但仍作為屈指可數(shù)的女性畫師活躍于畫壇。她擁有連北齋都稱贊“在美人畫方面勝我一籌”的繪畫天賦，同時性格火爆、剛強、煙不離手，是個豪爽灑脫的女性形象。 《喂，應(yīng)為》的主人公阿榮是北齋的女兒、得力助手，展現(xiàn)了驚人的繪畫天賦。她從父親那里獲得了“葛飾應(yīng)為”這一畫號，這個名字源于北齋常常喊她“喂，飯來！”“喂，筆來！”等日常呼喚，“應(yīng)”代表回應(yīng)，“為”則有作為、成就之意，是從師父傳給弟子的名號，也是父親傳給女兒的象征。盡管她不會泡茶，也不擅長針線活，卻以繼承自父親的繪畫才華與膽識，在男性社會中闖出一條路。
忠勇之家
葛麗亞·嘉遜,沃爾特·皮金,特雷莎·懷特,梅·惠蒂,雷吉納德·歐文,亨利·崔佛斯,理查德·內(nèi)伊,亨利·威爾克松,Christopher Severn,Brenda Forbes,Clare Sandars,Marie De Becker,赫爾穆特·丹丁,約翰·阿伯特,Connie Leon,里斯·威廉姆斯,Harry Allen,Frank Atkinson,Sybil Bacon,弗蘭克·貝克故事發(fā)生在一九三九年的夏天，克里姆（沃爾特·皮金 Walter Pidgeon 飾）和妻子米尼佛夫人（葛麗亞·嘉遜 Greer Garson 飾）住在英國郊外，兩人結(jié)婚多年，生了三個孩子，生活幸福美滿。克里姆的大兒子韋恩（理查德·內(nèi)伊 Richard Ney 飾）愛上了花會創(chuàng)辦人的孫女貝爾（特雷莎·懷特 Teresa Wright 飾），情投意合的兩人很快走到了一起。戰(zhàn)爭開始了，韋恩想要為國效忠，趕往了前線，而克里姆和米尼佛夫人則在后方支援。某日，一名德國飛行員受傷闖入了米尼佛夫人的后花園，米尼佛夫人憑借著自己的勇敢與智慧協(xié)助警察成功將其捉拿。米尼佛夫人和貝爾小姐在送韋恩前往駐地的途中遭遇了空襲，一時間兇多吉少。
胡加爾的一天
本·衛(wèi)肖,麗貝卡·豪爾說來平平無奇，奇在竟煞是好看。娓娓道來自己過去一天的是新銳攝影師彼得胡渣，請他到香閨暢談的是知名作家蓮達羅森克蘭茲。本打算將紐約藝術(shù)圈好友的生活日常結(jié)集成書，書出不成，抄本卻奇跡留下，讓埃拉薩克斯看得心神一動，在一室之內(nèi)以靈巧多變的鏡頭擺位，重塑1974年那平凡卻奇妙的一天。請來《欲流雙行道》的賓韋沙念55頁獨白，三分型格三分憂郁再帶三分初成名的忐忑。漫溢于16米厘的光影質(zhì)感之間，是安迪華荷、蘇珊桑塔格那一代人浸透于生活的藝術(shù)靈光。
半身死靈
大島優(yōu)子,山崎真實,螢雪次朗,阿部進之介在近代日本坊間流傳著這樣一個傳說，名叫島禮子的美麗少女被美國大兵輪奸，在此之后她精神失常，臥軌而死。島禮子一縷幽魂不散，化作只有上半身的恐怖惡靈。它極端憎惡紅色，每晚出沒在橫跨鐵路的天橋上，并在路過之人背后發(fā)出“嗒卡嗒卡”的聲音。一旦路人回頭，它便將對方攔腰斬斷。即使僥幸逃過，在接下來的72小時內(nèi)也必然遭到“嗒卡嗒卡”的獵殺。 高中少女大橋可奈（大島優(yōu)子 飾）的好友綾花夜歸遭遇“嗒卡嗒卡”，遇害身亡?？四卧诩腊莺糜褧r，同樣見到這個恐怖惡靈，不過僥幸逃脫。然而死亡的陰影仍然籠罩在她的頭上，在女大學(xué)生平山理繪（山崎真實 飾）的幫助下，她們一同出發(fā)尋找求生的辦法……
終歸為塵
安吉拉·莫利納,阿爾佛萊德·卡斯特羅,莫妮卡·阿爾米拉爾,Patrícia Bargalló,Alván Prado,Manuela Biedermann,Emma Corbacho,Pol Garibaldi Gris,Nicolás Fuentes,Vito Pietroburgo,Irene Ta,Valeria Scheilen,Aleix Plademunt,Lissy Pernthaler,Silvan Luley,Lorena Nogal,Shay Partush,Oriol Genís,M在被診斷出患有絕癥后，克萊爾決定進行最后一次旅行，前往瑞士。在那里，她可以在一家協(xié)助自殺協(xié)會的幫助下決定如何以及何時結(jié)束自己的生命。陪伴她超過四十年的查洛決定與她一同踏上這段單程之旅。與此同時，摩根娜在父母之間以及他們即將離開的所有事物之間成為了一個不情愿的調(diào)解人，同時也在努力尋找自己在這個故事中的位置。