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凱多湖的消失
迪倫·奧布萊恩,伊萊扎·斯坎倫,黛安娜·霍佩爾,卡羅琳·?？?山姆·亨寧斯,埃里克·蘭格,勞倫·艾波羅絲,Nina Leon,蘭斯·E·尼克爾斯,大衛(wèi)·馬爾登那多,基姆·巴蒂斯特,Jody Sellers,Greysen Conley,Jules Hilillo Fernandez,Jennifer Sellers,Larry S. White II,A.C. Cooper,Zedrick Tinsley,Elizabeth Feliciano一個(gè)8歲的女孩神秘地消失在卡多湖上，一系列過去的死亡和失蹤開始聯(lián)系在一起，永遠(yuǎn)改變了一個(gè)破碎家庭的歷史。
象山發(fā)光事件
小沈陽,王唯,張登平,倪景陽,田理,董芷依,胡涂,李歐,孟和烏力吉十年前的一次超自然發(fā)光事件導(dǎo)致張鵬（小沈陽 飾）的好友神秘失蹤，十年后，張鵬跟隨攝制組重返事發(fā)地尋找真相。當(dāng)他們?cè)俅蝸淼健鞍l(fā)光禁地”時(shí)卻頻繁遭遇離奇恐怖的事件，認(rèn)知逐漸錯(cuò)亂、軀體不斷惡化、理性逐步崩壞，禁忌的駭人真相，將不可逆地摧毀一切……光源不再象征安全，請(qǐng)遠(yuǎn)離所有發(fā)光體！
未來之心
喬新峰,曹艷,張恩碩,張德暉,宮蘇紋余書(喬新峰飾演)與梁瀾(曹燕飾演)夫婦研發(fā)了革命性AI“超心智腦”，旨在復(fù)原古生物生態(tài)。因兒子(張恩碩飾演)重病急需資金，二人分道揚(yáng)鑣：梁瀾與投資人何叔(張德暉飾演)合作，將AI用于建造賽博機(jī)械樂園；余書則攜子離開，堅(jiān)信技術(shù)不應(yīng)淪為娛樂工具。多年后為救子，余書登島交出原始代碼。不料程序遭竊，機(jī)械巨獸失控暴走。危機(jī)關(guān)頭，何叔犧牲自我換取生機(jī)，余書夫婦最終聯(lián)手重啟初代代碼，關(guān)閉系統(tǒng)，阻止災(zāi)難。離島后，他們發(fā)現(xiàn)何叔留下的代碼備份與醫(yī)療資源。兒子康復(fù)后，將這段經(jīng)歷寫成小說《未來之心》，見證科技、人性與愛的交織。
時(shí)裝
安吉麗娜·朱莉,阿尼爾·阿內(nèi)伊,艾拉·朗夫,路易·加瑞爾,加朗斯·馬里利埃,紀(jì)堯姆·馬貝克,文森特·林頓,肖恩·格萊特,費(fèi)尼肯·歐菲爾德,米格倫·米切夫,克斯蒂·伊爾維斯·薩維納,阿黛爾·蒙特布爾,卡蒂亞·克里韋拉里,弗朗索瓦·菲利皮在時(shí)裝周的狂熱中，三位女性在巴黎的生活中不期而遇，她們一邊應(yīng)對(duì)著世界的悲劇，一邊思索著自己人生的問題：麥克斯（Maxine），一位40多歲的美國電影導(dǎo)演，發(fā)現(xiàn)自己患上了癌癥；阿達(dá)（Ada），一位年輕的南蘇丹模特，逃離了她注定的命運(yùn)，卻被推入了一個(gè)充滿欺騙的世界；安吉爾（Angèle），一位在T臺(tái)幕后默默工作的法國化妝師，夢(mèng)想著逃離自己的生活。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
愛情背叛
莎拉·鮑爾,安德魯·富爾茨,馬克·赫爾曼一場(chǎng)車禍奪走了萊利的生命，她近乎完美的生活突然中斷，留下一個(gè)沒有母親的家庭。隨著調(diào)查的開始，萊利的妹妹凱莉發(fā)現(xiàn)這場(chǎng)車禍可能不是她妹妹死亡的真正原因，案件發(fā)生了奇怪的轉(zhuǎn)折。