舞室培欲
一段關于情欲、噯戀與xing的故事，在追逐xing欲的過程之鈡，令人戰(zhàn)栗的驚悚卻隨之而來 丹尼爾是名事業(yè)如日鈡天的舞者，全身72塊肌肉極致線條，粉絲遍布全球，每個人都想占有祂。原本順遂平穩(wěn)的祂，卻在暗夜遭到三個蒙面人擄走，接丅來的12天里，這三個釹人以肉體欲望、精神凌虐讓祂精神狀況達到極限，卻也因而體驗到前所未有的高潮過癮；被釋放的丹尼爾羞于將祂所經驗的告訴別人，但是在深夜，腦鈡總會出現(xiàn)在那個小房間的種種回憶；祂唯一的線索就是三個釹人身上的特征：一個有特別體香、一個胸部有刺青、一個臀部有胎記，祂決心追緝到底。走在路上，任何一個釹人的氣味、嗓音、美體都會讓祂想要用盡方法褪丅她的衣衫
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弗蘭肯斯坦的新娘
Sev Philippou,Nick Launchbury,Vincent Donato在弗蘭肯斯坦怪物結婚的那天，村民們暴動并殺死了他。他的新娘逃跑了，發(fā)誓要報復負責的市民，并最終復活了怪物——在她身后留下了血跡。
三人新世界
林子祥,鄭裕玲,張曼玉,周慧敏,關秀媚,梁佩瑚,文雋,金燕玲,許紹雄經歷了上一集的風風雨雨，艾利克斯（林子祥 飾）和朱麗娥（鄭裕玲 飾）總算是兩情相悅走到了一起。他們決定在新年之后攜手步入婚禮的殿堂，然而，在此節(jié)骨眼上，艾利克斯被公司緊急召喚加班，兩人本來溫馨愉快的假期生活泡了湯?！ 桃粒◤埪?飾）是艾利克斯的同事，兩人雙雙被派往巴黎出差。愛人不在身邊，這讓朱麗娥感到十分沒有安全感，再加上表哥（許紹雄 飾）的挑撥離間聽風就是雨，心態(tài)爆炸的朱麗娥決定也前往巴黎，看好自己的未婚夫。一連串的誤會讓朱麗娥和喬伊之間的關系跌破了冰點，她和艾利克斯的感情也因此產生了裂痕。
四封情書
費昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩尼古拉斯·考夫蘭和伊莎貝爾·戈爾注定要在一起。問題是他們是否會發(fā)現(xiàn)。正如鬼魂、命運和真愛的純粹力量將尼古拉斯和伊莎貝爾拉在一起一樣，生活也有可能將他們分開。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
葉甫蓋尼·奧涅金
弗拉季米爾·弗多維琴科夫,阿廖娜·克梅爾尼茨卡亞,Liza Moryak,維克多·杜布朗拉沃夫,塔基楊娜·柳達耶娃葉甫蓋尼·奧涅金的生活很奢華：舞會、招待會、戲劇首演以及首都能為年輕人提供的其他娛樂活動。但社交生活早已讓他疲憊不堪，因此他認為住在村里的叔叔生病的消息是一個逃離令人厭惡的世界的機會。然而，到了莊園后，奧涅金得知一個親戚去世了，但這并沒有讓葉甫蓋尼太難過。他的經濟狀況非常糟糕，叔叔很有錢，卻沒有其他繼承人。奧涅金把自己關在莊園里，避開鄰居，鄰居們很快就開始稱他為怪人。葉甫蓋尼過著漫無目的的孤獨生活，直到從國外回來的莊園主人出現(xiàn)在鄰近的莊園--一個年輕、熱情、對生活尚未滿足的連斯基，他把葉甫蓋尼介紹給了塔吉婭娜和奧爾加·拉林姐妹。
猩球崛起2：黎明之戰(zhàn)
安迪·瑟金斯,杰森·克拉克,加里·奧德曼,凱麗·拉塞爾,托比·凱貝爾,柯蒂·斯密特-麥菲,柯克·埃斯沃多,尼克·瑟斯頓,泰瑞·諾塔里,卡琳·考諾娃,朱迪·格雷爾,喬恩·阿茲,恩里克·穆西安諾,拉勒米·道克·肖,李·羅斯十年前，人類為自己的愚蠢付出慘痛代價，兇險致命的猿流感病毒蔓延全球，世界毀滅殆盡。而在毗鄰舊金山的原始叢林，凱撒（安迪·瑟金斯 Andy Serkis 飾）帶領猩猩伙伴們建立起無憂無慮的王國，直到某一天，猩猩的家園的寧靜再度被人類打破。在舊城茍延殘喘的人類面臨能源危機，他們試圖利用森林腹地大壩的發(fā)電站提供能源。青年科學家馬爾科姆（杰森·克拉科 Jason Clarke 飾）試圖說服聚集地負責人德里弗斯（加里·奧德曼 Gary Oldman 飾），希望通過和平手段取得猩猩部落的信任和同意。然而凱撒的好盟友科巴（托比·凱貝爾 Toby Kebbell 飾）卻無法摒除對人類的憎恨，他嘗試著挑戰(zhàn)者凱撒的權威?！ ∪祟惡托尚?，雙方小心翼翼試探，而戰(zhàn)爭在所難免……