劇情縱覽
對(duì)于21歲的加奈來說,考慮自己的未來一點(diǎn)意思也沒有:她不知道自己想要什么樣的生活,對(duì)任何事都缺乏熱情,甚至戀愛也只是為了消磨時(shí)間。與她同居的男友本田試圖通過負(fù)擔(dān)房租和為她做飯來取悅加奈,但這段戀情還是變得搖搖欲墜——加奈認(rèn)識(shí)了一位名叫林的創(chuàng)作者,隨著兩人關(guān)系的加深,她開始覺得本田是個(gè)負(fù)擔(dān)……
對(duì)于21歲的加奈來說,考慮自己的未來一點(diǎn)意思也沒有:她不知道自己想要什么樣的生活,對(duì)任何事都缺乏熱情,甚至戀愛也只是為了消磨時(shí)間。與她同居的男友本田試圖通過負(fù)擔(dān)房租和為她做飯來取悅加奈,但這段戀情還是變得搖搖欲墜——加奈認(rèn)識(shí)了一位名叫林的創(chuàng)作者,隨著兩人關(guān)系的加深,她開始覺得本田是個(gè)負(fù)擔(dān)……
象人(約翰?赫特 John Hurt 飾)是一個(gè)天生的畸形癥患者,他的臉長(zhǎng)得就像大象的臉,因此而得名。象人一直被利欲昏心的馬戲團(tuán)老板利用,帶到世界各地去巡回演出,受盡了非人的虐待。象人所經(jīng)受的遭遇社會(huì)名流們都會(huì)感到不可思議,然而樂觀堅(jiān)強(qiáng)的象人卻承擔(dān)了下來。直到有一次,象人遇上了年輕的英國(guó)醫(yī)生(安東尼?霍普金斯 Anthony Hopkins 飾),出于憐憫和醫(yī)生的操守,他與馬戲團(tuán)老板簽訂了“領(lǐng)養(yǎng)”協(xié)議后,將象人帶回了醫(yī)院作研究。在醫(yī)院里,象人重新感受到了人間的溫暖,而醫(yī)生也在和象人的交往中結(jié)下了深深的友誼,他已經(jīng)舍不得這位“上帝的棄兒”。但利欲昏心的馬戲團(tuán)老板帶人又將象人搶了回去,象人的新生活是否就此終結(jié)?
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
本片改編自同名漫畫,講述了以當(dāng)紅年輕演員的身分開始邁向明星之路的柊木昴(八木勇征 飾),以及他青梅竹馬的女高中生天野千明(福本莉子 飾),有著“明星和素人”這種令人著急的關(guān)系的超王道愛情故事。
廣告界名模戴李察原為名噪一時(shí)之大盜“一棚牙”,后因厭倦江湖,與舊拍檔阿蕊互相協(xié)議金盆洗手,而阿蕊亦轉(zhuǎn)而從良,下嫁刑事偵緝警官吳超人。察有一世侄志偉,欲得盜竊的真?zhèn)饕吕?,但為所拒,無奈志偉卻不罷休。另一方面,指揮官胡處長(zhǎng)安排超人及當(dāng)紅干探?jīng)_鋒車,以一顆幾可亂真之寶石,由沖鋒車以歸僑身份,擺設(shè)酒會(huì),實(shí)行布下香餌釣金鰲。當(dāng)沖鋒車公開展示寶石之際,志偉果然心癢難忍,在混亂中,將寶石盜取。沖鋒車奪回寶石...