劇情簡(jiǎn)介
進(jìn)入大學(xué)后成為朋友的張熙和蘇賢第一次相親。 張熙和蘇賢和相識(shí)相識(shí)的元浩和杜克度過了愉快的時(shí)光。 大二學(xué)生斗辛（Doo-sim）向他的新學(xué)生張熙熙（Jang-hee）和蘇賢（So-hyun）喊叫他的兄弟。 長(zhǎng)于心臟的長(zhǎng)熙在玩一個(gè)叫姐姐的游戲。
為你推薦
全面營(yíng)救
魯克·高斯,羅伯特·戴維,戴維·費(fèi)爾南德斯,芭芭拉·帕多,帕特里夏·德·萊昂,Luis Gatica,Jeanette Samano,Jack Carlisle,Alain Mora,Zokai Holmes,Denitza García,Jordan Simkovic,Tonya Bordeaux,Mopar Murray,Laura MartinThe film, which marks the directorial debut of singer-turned-actor Luke Goss, is currently in post-production. Also starring Goss, alongside Robert Davi and Patricia De Leon, it tells the story of a man who must go to extreme lengths to discover what happened to his kidnapped wife and daughter. Soda intends to launch the film to coincide with the reunion concert tour of Bros., the 1980s' pop band Luke performed in with his brother Matt. The reunion was original intended as a one-off concert at London's O2 Arena on August 19, marking the anniversary of the band's last concert in 1989. However, when that show sold out within a minute of going on sale the tour was expanded to include six further dates at the O2 and at other venues around the U.K. in August
鐵肺
馬克·費(fèi)施巴赫,卡蘿·卡普蘭,特洛伊·貝克,埃爾?！ぢ宸蚵蹇?艾麗·拉蒙特,Dave Pettitt,Isaac McKee,Asher Wagh,Kazuki Jalal,阿拉娜·皮爾斯,Seán McLoughlin,David Szymanski,丹妮爾·普勒格,拉胡爾·寇利,Ethan Nestor,瓦爾基雷影片改編自2022年的同名獨(dú)立恐怖游戲。背景設(shè)定在名為“The Quiet Rapture”的末日之后，一名囚犯被迫深入血紅色的海洋，駕駛一艘銹跡斑斑的微型潛艇搜尋殘存的自然資源。
極限審判
克里斯·帕拉特,麗貝卡·弗格森,卡莉·瑞斯,安娜貝爾·沃利斯,克里斯·沙利文,凱萊·羅杰斯,杰夫·皮埃爾,拉菲·格拉沃恩,肯尼斯·崔,杰米·麥克布萊德,羅斯·格斯拉,馬克·達(dá)內(nèi)里,海頓·道爾頓,邁克爾·C·馬洪,諾亞·費(fèi)恩利,庫(kù)里·普拉特,杰·杰克遜,馬哈茂德·馬哈茂德,安雅·阿克斯丁,理查德·賽特倫警探雷文（克里斯·帕拉特 飾）突遭指控，陷入殺妻疑云，被推上由AI判官裁決的審判席。90分鐘倒計(jì)時(shí)啟動(dòng)，他必須借助AI“天眼”系統(tǒng)，在海量數(shù)據(jù)中尋找翻盤證據(jù)，推翻指向自己的致命結(jié)論，否則將被當(dāng)庭處死。然而，調(diào)查越深入，嫌疑人越多，數(shù)據(jù)卻不斷自我驗(yàn)證、層層鎖死真相。當(dāng)算法 構(gòu)成無法破解的死局，人類還能否掙脫系統(tǒng)的最終裁決?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
命運(yùn)之書
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風(fēng)、土、和空氣，生命五種核心元素曾經(jīng)注入在一本書--命運(yùn)之書。黑暗籠罩了大地，需要借助筆和書的力量，但這本書卻失蹤了，人們以為它永遠(yuǎn)消失了，但數(shù)百年后卻又再度出現(xiàn)……
食人豬
嚴(yán)泰雄,鄭有美,張恒善,尹宰文位于韓國(guó)某山區(qū)的智翼村，是一座號(hào)稱零犯罪村的旅游勝地。每到假期或周末，全國(guó)各地的游客云集于此，享受難得的快樂生活。為了吸引更多的游客，智翼村相繼開發(fā)了高爾夫球場(chǎng)合周末農(nóng)場(chǎng)，為此砍伐了大量的原始叢林。野生動(dòng)物的生存環(huán)境遭到破壞，加上偷獵者的侵?jǐn)_，野豬數(shù)量急劇減少。為了生存，野豬開始挖掘人類的墳?zāi)?，啃噬尸體，由此對(duì)人肉產(chǎn)生了濃厚的興趣?！ ∧程欤逯幸幻C人孫女的尸體被人發(fā)現(xiàn)，她的尸體破碎不堪，只留下頭顱。經(jīng)法醫(yī)鑒定和老獵人的觀察，這起慘案系一頭是人野豬所為。在此之后，武裝精良的獵人們來到智翼村，人獸的戰(zhàn)爭(zhēng)漸次白熱化……
喪尸出籠：血脈
Sophie Skelton,喬納森·斯卡奇,Jeff Gum,Marcus Vanco,馬克·史密斯,Lorina Kamburova,莎莉·沃特森,Rachel O'Meara,克里斯蒂娜·塞拉菲尼,Lillian Blankenship,Debbie Sherman,Luke Cousins,Nathan Cooper,阿塔納斯·斯雷布雷夫,Ulyana Chan因流感感染的死者突然復(fù)活，變成喪尸開始瘋狂撕咬活人，被咬后的活人紛紛變成喪尸，一場(chǎng)末日喪尸之戰(zhàn)自此開始...