即刻觀影
劇情賞析
編輯推薦
異形：奪命艦
卡莉·史派妮,戴維·榮松,阿奇·雷諾,伊莎貝拉·莫塞德,斯派克·費(fèi)恩,吳愛玲,丹尼爾·貝茨,伊安·霍姆,特雷沃·紐林,羅伯特·勃洛克茨基,安妮瑪麗·格里格斯,羅茜·伊德,索瑪·西蒙,本斯·歐科克,維克托·歐利祖影片時(shí)間線設(shè)定在1979年第一部《異形》與1986年的續(xù)集《異形2》之間，圍繞一群年輕而勇敢的太空殖民者展開。講述他們?yōu)樘与x外星采礦殖民地的沉悶生活，在冒險(xiǎn)探索一座廢棄的太空站時(shí)，意外遭遇了宇宙中最可怕的生命體——異形?！ —M窄幽暗、危機(jī)四伏的空間站中，大逃殺的序幕已經(jīng)被無情拉開，人類再次成為異形生物捕獵的目標(biāo)。在無盡的黑暗與死亡威脅的籠罩之下，太空探險(xiǎn)隊(duì)員們能否在每一次心跳的瞬間，察覺到未知生物潛伏的絲絲寒意？在這場你死我活的追逐戰(zhàn)中，他們將直面怎樣的信任挑戰(zhàn)和道德掙扎？當(dāng)一個(gè)又一個(gè)同伴被殘忍吞噬，求救無門的他們究竟能否在這場太空殺戮中尋得一線生機(jī)？
沒女神探
王菀之,周柏豪 ,陳嘉寶,莊鍶敏,連詩雅,李靜儀,林盛斌,鄭敬基,鄭欣宜,蔣志光阿寶（王菀之 飾）擁有著一份穩(wěn)定的工作和一個(gè)交往多年的男友，兩人攜手步入婚禮的殿堂組成家庭仿佛已經(jīng)是板上釘釘?shù)氖虑榱?，在外人眼中，阿寶愛情事業(yè)雙豐收，堪稱人生贏家的典范。然而，令阿寶沒有想到的是，某一日，男友竟然提出了分手，這感情上的挫折讓阿寶陷入了崩潰之中，工作上亦連連失誤?！ 【驮谶@個(gè)節(jié)骨眼上，上司交給阿寶一個(gè)困難重重的任務(wù)，阿寶潛伏在魚龍混雜的模特圈，卻因此遇見了娘娘腔富二代成大志（周柏豪 飾）。種種誤會(huì)讓兩人三番五次的過招，隨著時(shí)間的推移竟然生出了別樣的感情，一個(gè)浪漫而又爆笑的愛情故事就此拉開了序幕。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
捏造
綾野剛,柴崎幸,龜梨和也,木村文乃,大倉孝二,迫田孝也,光石研,北村一輝,小林薰2003年，福岡市的一所市立小學(xué)，發(fā)生了一起老師欺凌學(xué)生的惡性事件。一名男性教師以種族歧視為由，對“有美國人血統(tǒng)”的四年級(jí)學(xué)生處處找碴，施行惡毒的語言暴力和殘酷的體罰。該學(xué)生的家長對教師提起民事訴訟，550名律師自發(fā)組成原告律師團(tuán)。福岡市教育委員會(huì)也對教師做出了停職處罰。行為如此惡劣的教師堪稱罕見，經(jīng)《周刊文春》《朝日新聞》等主流媒體報(bào)導(dǎo)，引起軒然大波，涉案教師被冠上“史上最惡劣的‘殺人教師’”的名號(hào)；但欺凌事件真的發(fā)生了嗎？隨著調(diào)查的深入，事件發(fā)生了驚人的逆轉(zhuǎn)…… 影片改編自記者福田真澄2007年出版的一本書，名為《捏造：福岡“殺人老師”的真相》。
八月2025
丹尼爾·沃羅比耶夫,謝爾蓋·別茲魯科夫,Mikhail Gavrilov,Eldar Kalimulin,尼基塔·科洛格利維,羅曼·邁迪安諾夫,奧爾佳·奧佐拉平亞The history of the military operation "Bagration", which took place in August 1944.
末日逃生2：遷移
杰拉德·巴特勒,莫蕾娜·巴卡琳,羅曼·格里芬·戴維斯,蘇菲·湯普森,艾波·羅絲·雷瓦,威廉·阿巴迪,托米·厄爾·詹金斯,斯榮德·福斯·奧瓦格,Rachael Evelyn,Nathan Wiley,彼得·多卡普,Alex Lanipekun,戈登·亞歷山大,西塞爾·西姆·科赫,吉安尼·卡爾切蒂,Tommi Thor Gudmundsson,Shayn Herndon,莉亞·珀金斯,貢納·貝西·比昂森,Gina Gangar由于宇宙中的兩顆彗星正面撞擊了地球，致使地表生態(tài)遭遇毀滅性打擊，造成惡劣后果。全人類不得不躲藏在地堡中求得生存。身為科學(xué)家的加里蒂帶著一家人劫后余生，幸存了下來。雖然他們躲過了第一波的沖擊，但是他們所在的地堡中剩余的生活物資逐漸減少，其他幸存的人類也開始蠢蠢欲動(dòng)。迫于壓力這一家人必須離開格陵蘭島的安全掩體，開始踏上危險(xiǎn)的旅程。在這一路上他們無奈的發(fā)現(xiàn)，整個(gè)歐洲已經(jīng)被毀滅，變成了冰凍荒地。于是一家人只能再次被迫上路，最終，他們找到了新的棲身之所。