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為你推薦
特工媽咪
寶拉·柯特萊西,斯特凡諾·弗雷西,托馬斯·阿拉納,特科·切里奧,雷莫·吉羅內(nèi),維尼喬·馬爾基奧尼,露琪亞·馬西諾,瑞奇·孟菲斯,葆拉·米納喬尼,詹保羅·莫雷利,克勞迪亞·潘多爾菲,亞歷山德羅·羅亞,Emanuele Armani,卡拉·西格諾里斯,Chiara Luzzi,Paolo Antonini,Veronica Bitto,Laura Buono,Jacopo Carta,Maria Di Giacinto喬萬娜低調(diào)平凡，每天周旋于政府部門的會(huì)計(jì)工作、女兒的學(xué)校活動(dòng)。在無趣的外表下，其實(shí)是一名執(zhí)行各種國(guó)際危險(xiǎn)任務(wù)的特務(wù)。某天高中同學(xué)聚會(huì)，發(fā)現(xiàn)所有同學(xué)都跟她一樣，每天都有鳥事跟煩惱。這讓她下定決心，接下來的任務(wù)要幫助身邊所愛的人。透過浮夸的偽裝、經(jīng)歷爆笑的情況，她要扭轉(zhuǎn)人生，為朋友帶來正義！
時(shí)間之外的故鄉(xiāng)
郭輝,朱宇涵,蔡宣萱大二在讀的安小河，因高利貸等事遭到“追殺”，30歲畫家康梅梅因接到“病?！蓖ㄖ?，兩人先后“逃”回到恒河邊的家鄉(xiāng)，與在村里夢(mèng)想有一天能在河里找到傳說中金碗的農(nóng)民康大恒在爭(zhēng)吵和交往中，安小河對(duì)康梅梅產(chǎn)生了不一樣的情愫，父女多年的隔閡也冰釋前嫌。
尸骨袋2
皮爾斯·布魯斯南,梅利莎·喬治,安娜貝絲·吉什,阿尼卡·諾尼·羅斯,馬特·弗里沃,杰森·普雷斯利,凱特琳·卡邁克爾,彼得·麥克內(nèi)爾,威廉·沙勒特,黛博拉·艾倫,Gary Levert,Joel Freckelton,喬迪·布朗《尸骨袋》改編自斯蒂芬·金（Stephen King）的同名恐怖小說?！ 充N小說作家Mike Noonan（皮爾斯·布魯斯南 Pierce Brosnan 飾），在妻子Jo(安娜貝絲·吉什 Annabeth Gish 飾)死后，無法走出悲痛的深淵。他不斷地夢(mèng)到和Jo一 起購(gòu)買的緬因州湖畔別墅，夢(mèng)到裝在袋子里的腐爛尸骨，夢(mèng)見Jo也從裹尸袋中奔跑而出。終于他在Jo的召喚下回到了那棟詭異的別墅。在那里，他卷入了一樁年輕美貌寡婦與家財(cái)萬貫的祖父對(duì)小女孩的撫養(yǎng)權(quán)爭(zhēng)奪戰(zhàn)，并不時(shí)遭遇神秘鬼魂的騷擾。那些不斷升級(jí)的噩夢(mèng)，還有神秘鬼魂的騷擾，都讓他意識(shí)到，這個(gè)小鎮(zhèn)隱藏著一些秘密，而死去的Jo也有事情想要告訴他……
鬼店另有主
薩拉·帕克斯頓,帕特·希利,凱莉·麥吉利斯克萊兒（莎拉·派克斯頓 Sara Paxton 飾）和盧克（派特·希利 Pat Healy 飾）是一家有著悠久歷史的洋基旅舍（Yankee Pedlar）的店員，無盡長(zhǎng)夜中，兩人插科打諢，海闊天空神聊，順便應(yīng)付各種各樣的客人。這家旅舍以鬧鬼著稱，傳說曾有個(gè)名叫瑪?shù)铝铡W馬利的新娘，在旅舍舉行婚禮的當(dāng)天上吊自殺。店主害怕影響生意，于是偷偷藏起尸體長(zhǎng)達(dá)三天時(shí)間。事發(fā)后店主引起民眾的憤慨，而鬧鬼的傳言也不脛而走。克萊兒與盧克架起攝像機(jī)拍攝旅社的超自然畫面，并試圖探訪鬼魂的真面目，這個(gè)糟糕的決定將他們帶入萬劫不復(fù)…… 本片榮獲2011年尖叫電影節(jié)（Screamfest）最佳配樂獎(jiǎng)、2011年多倫多午夜電影節(jié)特別獎(jiǎng)觀眾選擇最恐怖影片。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
壯志千秋
理查德·迪克斯,艾琳·鄧恩,埃斯特爾·泰勒,南斯·奧尼爾故事發(fā)生在美國(guó)西部大開發(fā)時(shí)期，燕西（理查德·迪克斯 Richard Dix 飾）帶著妻子莎布拉（艾琳·鄧恩 Irene Dunne 飾）千里昭昭來到了廣袤而又荒蕪的俄克納馬拉，心里懷揣著遠(yuǎn)大的理想，希望能夠在這里做出一番建樹。俄克納馬拉的生活環(huán)境十分艱苦和險(xiǎn)峻，然而，夫妻兩人同心協(xié)力，慢慢改善和建立著他們的家園。在日子漸漸穩(wěn)定的過程中，在當(dāng)?shù)厣畹哪翀?chǎng)主們感到他們的利益受到了侵犯，他們常常會(huì)找燕西的麻煩，卻又被燕西用智慧巧妙的化解。燕西十分同情在當(dāng)?shù)厣畹挠〉诎餐林c此同時(shí)，嫉惡如仇的燕西亦對(duì)壓迫和剝削原住民的資本家們充滿了仇恨，隨著時(shí)間的推移，雙方的矛盾漸漸尖銳起來。
死星
Yoon C. Joyce,Diandra Elettra Moscogiuri,Margherita Scotti,Olga Egorova,Ivan King,Gloria Capelli,Maria Arismendi,Giorgio Consoli,Noemi Marotta,Francesco TinelliClaudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.