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克羅克特先生
杰瑞卡·辛頓,Alex Alomar Akpobome,埃爾維斯·諾拉斯科,Kristolyn Lloyd,Lyla Randall,Akim Black,Gina Jarrin,Ayden Gavin,Melanie Christine Leon-Soon,Riley Vinson,Matthew LB McCollum,Jabari Striblin1993 年，發(fā)生了可怕的事件：一個神秘的兒童節(jié)目主持人克羅克特先生神奇地從電視機中出現(xiàn)，綁架了年幼的孩子殺害了其父母。而在克羅克特先生綁架了女主的兒子之后，女主開始了危險的追尋之旅，她要找到這個惡魔，救出她的兒子。
多莉
法比娜·泰蕾茲,Russ Tiller,米夏琳娜·阿爾門多,Kate Cobb,伊?！ぬK普利,西恩·威廉·斯科特,Max the Impaler瑪西，一位年輕女子，被一個面目猙獰的怪物擄走，這個怪物一心要把她當作自己的孩子撫養(yǎng)長大。
命運之書
邁克.梅爾斯,斯賓塞.布萊斯林火、水、風、土、和空氣，生命五種核心元素曾經(jīng)注入在一本書--命運之書。黑暗籠罩了大地，需要借助筆和書的力量，但這本書卻失蹤了，人們以為它永遠消失了，但數(shù)百年后卻又再度出現(xiàn)……
交響詩篇超進化1
名冢佳織十年前，發(fā)生了震撼世界的重大事件“第一次愛之夏”。蘭頓失去了他的父親阿德洛克，現(xiàn)在已經(jīng)在邊境城鎮(zhèn)貝爾福雷斯特參加了塔州聯(lián)盟軍校。被稱贊為英雄的已故父親。 什么都沒有的單調(diào)日常。蘭頓身邊的一切都很悶。 但在蘭頓面前，世界上最古老的LFO尼爾瓦修突然出現(xiàn)。 從駕駛艙出 現(xiàn)的是優(yōu)萊卡。蘭頓和優(yōu)萊卡的旅程將在哪里結(jié)束？
百燭游戲2
Magui Bravi,Nacho Francavilla,Josefina Fari?aA team of influencer bloggers decides to hold a ritual at the mansion of the "black countess". A fan of the supernatural, she disappeared without a trace after she was offered to play a game that was supposed to take her to another dimension. By evoking the spirit of the Countess, bloggers let otherworldly forces into the world. The one who can bring the demons back will survive.
等待方舟
耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.