劇情簡(jiǎn)介
Yuna, a woman engaged with her long time boyfriend, Nicco, starts to have second thoughts when she meets again her first love, Becca. Now she is torn between the man she loves and the woman she first loved.
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等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
來(lái)點(diǎn)茶泡飯如何
深川麻衣,若葉龍也,小野寺Zuru,片岡禮子,大友律,山下知子,森禮子,幸野紘子,守屋えみ,尾本貴史,遠(yuǎn)藤隆太,松尾貴史,豐原功補(bǔ),室井滋標(biāo)題中的「ぶぶ漬け（お茶漬け）どうどす」是一句眾所周知的京都表達(dá)，京都人常用這句話以委婉的方式傳達(dá)「差不多該告辭了」的意思。電影《ぶぶ漬けどうどす》以此為主題，展現(xiàn)了因京都特有的縣民性而引發(fā)的各種鬧劇，并展開(kāi)了一段充滿喜劇色彩的故事。影片以從東京嫁到京都老字號(hào)扇子店的自由撰稿人澁澤まどか為主人公，描繪了〈京都人〉與從東京而來(lái)的〈外地人〉之間的攻防與沖突。
小意大利
艾瑪·羅伯茨,海登·克里斯滕森,艾莉莎·米蘭諾,丹尼·愛(ài)羅,安德列·馬丁,簡(jiǎn)·西摩,蓋里·巴薩拉巴,亞當(dāng)·費(fèi)拉拉,琳達(dá)·卡辛,克里斯蒂娜·羅塞托Voltage Pictures拿下艾瑪·羅伯茨、海登·克里斯滕森主演的浪漫愛(ài)情片[小意大利](Little Italy，暫譯)的國(guó)際銷售權(quán)。該片由唐納德·佩特瑞([倒霉愛(ài)神])執(zhí)導(dǎo)，故事類似現(xiàn)代版羅密歐與朱麗葉，講述一名見(jiàn)習(xí)廚師同一位餐廳老板墜入愛(ài)河。他們父親是商業(yè)死對(duì)頭，母親卻是秘密的閨中好友。
另一個(gè)地球
威廉·麥鮑瑟,布里特·馬靈,馬修-李·埃爾巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,魯伯特·雷德在一個(gè)平靜的夜晚，一輛飛馳而來(lái)的汽車，撞碎了音樂(lè)教授約翰（威廉·麥鮑瑟 William Mapother 飾）的幸福生活，他的妻女以及美好的人生都被尚未成年的少女羅娜（布里特·馬靈 Brit Marling 飾）奪去。這起事故，也讓羅娜的心靈蒙受巨大打擊。罪惡感讓她過(guò)著最底層的生活，卻始終逃脫不掉靈魂的譴責(zé)。偶然機(jī)會(huì)，她重逢約翰，并以清潔人員的名義走進(jìn)約翰潦倒無(wú)望的生活。在一段時(shí)間相處過(guò)后，他們漸漸溫暖了彼此漫布創(chuàng)痕的心。與此同時(shí)，人類發(fā)現(xiàn)了一顆與地球極為相似的行星，而那里似乎也住著人類另一個(gè)自己。這是希望，還是美好的夢(mèng)想？ 本片榮獲2011年圣丹斯電影節(jié)評(píng)委會(huì)特別獎(jiǎng)。
蜜戀合租
孫志強(qiáng),徐海文,謝雨欣安諾軒辭高薪逐寫作夢(mèng)，26歲遭男友陳強(qiáng)出軌并貶其夢(mèng)想，分手后陷窘境。閨蜜幫她招租，曾被她所救、暗戀她的蘇梓橋借機(jī)合租。兩人磨合中漸生情，雖因誤會(huì)分開(kāi)，安諾軒卻知心意。蘇梓橋助她入職，共退聯(lián)姻對(duì)象華清泫，獲蘇母認(rèn)可，婚后安諾軒寫作終成。
笨賊向前沖
馬有才,彤彤,杜玉明,許新宇,馬衛(wèi)軍,彭波,王川,劉剛,劉波,王泇淇城市最大的參行被盜，價(jià)值千萬(wàn)的野山參瞬間下落不明。推銷員馬有才事事都晚半拍，他為籌集一筆資金，鋌而走險(xiǎn)變成了一個(gè)空有盜竊名頭的盜竊人。主犯“獨(dú)眼”處心積慮想把同伙滅口卻不幸喪命。蕭文欲在盜竊人參計(jì)劃中獲利，卻偶遇苦尋的女友的未婚夫曹豐。案件在警官許峰的層層追查下更加撲朔迷離。人性的深情相付和鋌而走險(xiǎn)，讓所有人的關(guān)系和命運(yùn)錯(cuò)綜復(fù)雜......
異羽之鳥
賈亞士里,Mahadev Hadapad,Rekha Kudligi馬諾哈拉·K在13歲時(shí)就憑借在影片《鐵路少年》中的出色表演榮獲印度國(guó)家電影獎(jiǎng)最佳兒童演員獎(jiǎng)。如今，二十出頭的馬諾哈拉初執(zhí)導(dǎo)筒，將女作家索尼婭·S的獲獎(jiǎng)自傳小說(shuō)搬上銀幕，講述了一個(gè)白化病女孩的成長(zhǎng)之路。片中，來(lái)自貧困家庭的索尼婭因?yàn)榘谆≡趯W(xué)校受到歧視和敵意，父親置若罔聞、母親有心但無(wú)力，她只能依靠自己。導(dǎo)演并沒(méi)有向索尼婭投去同情目光，而是帶著一定距離感去呈現(xiàn)她的處境，成功塑造了一個(gè)勇敢、樂(lè)天的女孩如何接納自己并讓白化病這個(gè)“缺點(diǎn)”成為特點(diǎn)。