嫂子的感覺
新婚夫婦阿英和光洙在懸崖邊聚在一起。 他在弟弟光春的山間小屋裏開了一家小餐館已經(jīng)5個月了,他的哥哥光洙擔(dān)心經(jīng)濟(jì)衰退沒有顧客,爲(wèi)了支付逾期的商店稅,他還兼職停車。幫我個忙,說到年底才免店稅…… 光春的好意是另有目的,所以一直關(guān)注著年輕漂亮的嫂子阿英! 光春深挖阿英受苦受難的弱點,堅持肉體關(guān)系,阿英爲(wèi)了保護(hù)與丈夫的婚姻,允許與光春發(fā)生醜陋的性關(guān)系。白天是姐夫的性玩物,晚上是餐廳的謙虛女主人……阿英在丈夫和姐夫的臥室曉星之間走著危險的鋼索,懷疑丈夫婚外情的人說,對方是小弟,被真相大驚,決定報仇,東西方相識的兩個女人,能否從中找到真正的幸福?他們家庭的束縛像蜘蛛網(wǎng)一樣糾纏在一起?
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天使的印跡:苦難
熱拉爾·德帕迪約,喬伊·斯塔爾,瑪爾特·克勒爾,蒂埃里·萊爾米特,湯姆·霍夫曼,馬修·加里瑞,伊蓮娜·諾古哈,呂迪格·福格勒河鰻
潘綱大,柯泯薰,潘親御,鄭如吟,陳季霞,吳美和觸電2025
林敏驄,陳穎欣,柯煒林,伍詠薇,蘇皓兒,羅莽,馮素波,盧慧敏,陳毅燊,陳苡臻,吳肇軒,羅浩銘妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢露終極囚禁
Jascha Washington,Whitney Hoy,Marc Donato,Justin Arnold,Travis Tedford,Julin,Lindsay Seidel,Mark Nutter,Hunter Garner,Eric Isenhower,Preston Flagg,Matthew Posey,Laura Ashley Samuels,Vincent Silochan,Farah White,Daniel Ross,Ryan Hayden,Morgana Shaw人偶之家
長澤雅美,瀨戶康史,田中哲司,池村碧彩,本田都同花,今野浩喜,西田尚美,品川徹,安田顯,風(fēng)吹淳同類推薦
食人豬
嚴(yán)泰雄,鄭有美,張恒善,尹宰文位于韓國某山區(qū)的智翼村,是一座號稱零犯罪村的旅游勝地。每到假期或周末,全國各地的游客云集于此,享受難得的快樂生活。為了吸引更多的游客,智翼村相繼開發(fā)了高爾夫球場合周末農(nóng)場,為此砍伐了大量的原始叢林。野生動物的生存環(huán)境遭到破壞,加上偷獵者的侵?jǐn)_,野豬數(shù)量急劇減少。為了生存,野豬開始挖掘人類的墳?zāi)?,啃噬尸體,由此對人肉產(chǎn)生了濃厚的興趣。 某天,村中一名獵人孫女的尸體被人發(fā)現(xiàn),她的尸體破碎不堪,只留下頭顱。經(jīng)法醫(yī)鑒定和老獵人的觀察,這起慘案系一頭是人野豬所為。在此之后,武裝精良的獵人們來到智翼村,人獸的戰(zhàn)爭漸次白熱化……
父母姐弟
凱特·布蘭切特,亞當(dāng)·德賴弗,夏洛特·蘭普林,薇姬·克里普斯,湯姆·威茲,莎拉·格林,弗朗索瓦茲·勒布倫,茵蒂婭·摩爾,盧卡·薩巴,馬伊姆·拜力克疏離多年的手足被迫重逢,直面未解的心結(jié),重新審視與情感疏離的父母之間緊張的關(guān)系。
連環(huán)殺手芬斯特
Amanda Evans,布里頓·韋伯,布賴恩·安東尼·威爾遜A journalist who writes about a notorious serial killer, Finster, leaves the city for a more peaceful life but soon learns violence has no boundaries.
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can SevimliAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
義務(wù)警員
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