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殺手算命師
莎拉·墨菲,喬納森·斯托達(dá)德,Caina Summer Field,娜塔莉·丹尼爾斯,杰西卡·凱撒堵車
吳鎮(zhèn)宇,倪大紅,呂麗萍,孫海英,陳志朋,吳俊余,葛思然,巴哈古麗僧侶
文森特·卡塞爾,黛博拉·弗朗索瓦,約瑟芬·約比,塞爾希·洛佩斯,凱瑟琳·蒙切特,喬迪·道德爾,杰拉丁·卓別林,羅珊妮·杜蘭,Frédéric Noaille,Javivi,Martine Vandeville,Pierre-Félix Gravière,塞爾日·費(fèi)拉德,恩斯特·吳默埃,Jean-Francois Vendroux,讓-克洛德·杜芬超狗任務(wù)
杰森·李,艾米·亞當(dāng)斯,彼特·丁拉基,詹姆斯·貝魯什,帕特里克·沃伯頓脆弱的男人
亞辛·侯伊卡,歐萊雅·阿瑪拉,拉斐爾·奎納德,Bilel Chegrani,迪翁-克巴·塔庫,蒂法因·戴維斯,霍莉·法特瑪,吉列爾莫·吉茲,薩米拉·塞迪拉,Olivier Soula,Marion Guerrero,Tigrane Avedikian,Juliette Cardinski,Thomas Bricmont,Roméo De Lacour,Marvin Pellegrino,艾瑪·貝內(nèi)斯坦,Aurélien Marra,塔薩迪特·曼迪,Atmen Kelif步履不停
阿部寬,夏川結(jié)衣,江原由希子,高橋和也,田中祥平,野本螢,林凌雅,寺島進(jìn),加藤治子,樹木希林,原田芳雄同類推薦
鬼馬朱唇
蔡楓華,王青,古珍珍,李玄麗音樂家西門(蔡楓華飾)生性風(fēng)流不羈,乘帶領(lǐng)樂團(tuán)赴韓演奏之便,探望開設(shè)跆拳道館之好友大口(王青飾)。大口投其所好,贊成他在韓國盡情開心,唯獨(dú)不能打其妹阿淑(李玄麗飾)主意。但機(jī)緣巧合之下西門巧遇阿淑,一見鐘情,阿淑更以身相許。誰知西門對阿淑只是抱玩弄心情,西門假稱要返香港,實(shí)則回到大口處向其炫耀其風(fēng)流史。恰巧阿淑來到探望兄長,聞言傷心欲絕,大口卻氣到七竅生煙。淑獨(dú)自躲到雪山,西門冒雪崩危險尋覓阿淑。結(jié)果,兩人幾經(jīng)艱辛脫險后,有情人終成眷屬。
局外人2025
本杰明·瓦贊,皮埃爾·洛廷,斯萬·阿勞德,德尼·拉旺,麗貝卡·馬德,本杰明·??烁隊?讓-本篤·尤格斯,讓-查理·克里切特1930年代的阿爾及利亞,冷漠的法國人默爾索對生命徹底漠然。他的情感疏離最終導(dǎo)致一場謀殺,隨后的審判不僅審視罪行,更拷問其靈魂。改編自加繆小說《局外人》。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
咒物尋兇
格威利姆·李,卡羅琳·布萊肯,塔格·墨菲,卡羅琳·門通,史蒂夫·沃爾,喬納森·法蘭西丹妮原本和丈夫泰德正在翻修偏僻的鄉(xiāng)間別墅,卻在此地慘遭殺害,所有人都懷疑是當(dāng)?shù)鼐癫≡旱牟∪怂鶠?,因?yàn)樘┑抡窃撛旱囊幻t(yī)生。然而,案發(fā)后不久,嫌疑人就被發(fā)現(xiàn)死亡。一年后,丹妮的雙胞胎盲妹達(dá)茜(Darcy),一個自稱通靈者和詛咒物品收藏家的人,意外拜訪了泰德和他的新女友雅娜。達(dá)茜深信她姐姐的謀殺案遠(yuǎn)比人們知道的要嚴(yán)重得多,因此她帶來了她收藏的最危險的詛咒物品,以幫助她復(fù)仇。
大明嬪妃之選秀
何杜娟,關(guān)慧卿,思漩,陳一諾,王春妹,朱一龍皇太子爭選太子妃,蘭心本有所愛,卻不得不進(jìn)到太子府,因?yàn)椴湃A出眾,深得皇太子和紀(jì)淑妃的喜愛,蘭心被嫉妒和排擠,在太子府里受盡磨難! 其實(shí)一切陰謀都是秀女姚芊芊設(shè)計的,姚芊芊是萬貴妃的人,自己參選秀女就是為了接近太子,協(xié)助萬貴妃鏟除太子,雖然她心中也另有所愛,但不得不去爭選太子妃,鏟除一切阻礙自己當(dāng)上太子妃的秀女。 姚芊芊陷害蘭心通奸,差點(diǎn)害的蘭心被賜死,關(guān)鍵時刻蘭心被梅兒所救。幾日后公布太子妃人選之時,紀(jì)淑妃為了顧全大局,還是讓姚芊芊當(dāng)上了太子妃,姚芊芊十分痛苦內(nèi)心掙扎,蘭心、梅兒、金碧瑤當(dāng)上側(cè)妃,大家各懷念想……。