即刻觀影
劇情賞析
編輯推薦
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
大明嬪妃之爭(zhēng)寵
宋洋,何杜娟,關(guān)慧卿,陳一諾,王藝曈,王春妹,思漩,朱一龍大婚之夜，太子獨(dú)自喝醉，留下姚芊芊盛裝獨(dú)坐到天亮。太子本宣蘭心侍寢，卻傳來(lái)畫(huà)室失火的消息，太子走后，蘭心因?yàn)閾?dān)心張清遠(yuǎn)也尾隨而去，卻被張清遠(yuǎn)告知火是他放的，兩人終于決定私奔。梅兒故意告知蘭心私奔的錯(cuò)誤時(shí)間，致使蘭心在雪中凍了一夜，被太子發(fā)現(xiàn)救回?！ ∫奋犯嵸F妃抱怨遭冷落，正逢三皇子前來(lái)，兩人暗通款曲并有了身孕。為了掩飾，她不得不通過(guò)鄭貴妃向王恭妃施壓，使得太子終于與她圓房，并擇定時(shí)間宣布自己有孕?！ 〗鸨态幰虮灰奋氛茡澏c蘭心、梅兒交好，并告知從姚芊芊處偷取了可助懷孕的藥，梅兒因?yàn)橄霠?zhēng)寵而不顧蘭心勸告將藥粉放入酒中并讓太子喝下，太子卻突然倒下，蘭心趕到并宣太醫(yī)醫(yī)治，原來(lái)，藥粉是一種媚藥，若與酒一起服用便可致人于死地。王恭妃勃然大怒，下令搜府，卻從蘭心處搜出藥粉。原來(lái)，一切都是姚芊芊與金碧瑤的詭計(jì)。而金碧瑤也因?yàn)樘又卸菊J(rèn)清了姚芊芊的真面目。 鄭貴妃拷打蘭心，逼她簽寫(xiě)敗壞太子聲譽(yù)的供詞，蘭心誓死不從。關(guān)鍵時(shí)刻，太子及時(shí)趕到并帶走蘭心，卻在路上暈倒，蘭心感動(dòng)不已?！ ∫奋肥召I(mǎi)了丫鬟向張清遠(yuǎn)報(bào)信，讓他以為蘭心被太子害死，并用調(diào)虎離山計(jì)調(diào)離了蘭心。蘭心在路上感覺(jué)不對(duì)，匆匆往回趕，正好看見(jiàn)張清遠(yuǎn)持刀向太子刺去。蘭心以身相代，并控制不住問(wèn)張清遠(yuǎn)為何不守信約，張清遠(yuǎn)卻因?yàn)榇讨刑m心而心神恍惚。太子終于知道了蘭心眼中的憂郁從何而來(lái)，又為何獨(dú)自在雪中待了一夜。 蘭心幸好沒(méi)有被刺中要害，活了下來(lái)。太子正想審訊張清遠(yuǎn)，卻已發(fā)現(xiàn)張清遠(yuǎn)吊死在橫梁上，并留下了給蘭心的生死訣別書(shū)。
蛛網(wǎng)男孩
伍迪·諾曼,麗茲·卡潘,安東尼·斯塔爾,克利歐佩特拉·科爾曼,埃倫·杜賓,黛博拉·熱切娃,斯蒂芬妮·桑普森,Luke Busey,Jay Rincon,Jesse Vilinsky,Anton Kottas,Aleksandra Dragova,Aleksander Asparuhov,James Robinson,Jivko Mihaylov八歲的彼得（伍迪·諾曼 Woody Norman 飾）經(jīng)常受到來(lái)自臥室墻壁內(nèi)的神秘的、持續(xù)的敲墻聲的困擾——他的父母堅(jiān)持認(rèn)為這種敲擊聲只是他的想象。隨著彼得的恐懼加劇，他相信他的父母可能隱藏著一個(gè)可怕、危險(xiǎn)的秘密，并逐漸喪失對(duì)他們的信任。對(duì)于一個(gè)孩子來(lái)說(shuō)，還有什么比這更可怕的呢？
寶島2025
妻夫木聰,廣瀨鈴,洼田正孝,永山瑛太,冢本晉也,中村蒼,瀧內(nèi)公美,榮莉彌,尚玄,瀧正則,木幡龍,奧野瑛太,村田秀亮,Derrick Dover在二戰(zhàn)后尚未歸還日本的沖繩島上，有一群人自可怕的「鐵暴風(fēng)」中幸存下來(lái)。他們像動(dòng)物般活在殘破的世界，眼前是垂死的島民和尸體。于是他們從美軍的倉(cāng)庫(kù)和基地?fù)寠Z物資，延續(xù)這座島上未完的戰(zhàn)爭(zhēng)，他們被叫做「戰(zhàn)果撈客」。直到那一夜，阿恩（永山瑛太 飾）在嘉手納基地的逃亡過(guò)程中神秘失蹤，一場(chǎng)曾將故鄉(xiāng)燒毀殆盡的鐵暴風(fēng)再度席卷這座島嶼而來(lái)。 「活下去，生還才是最大的戰(zhàn)果?！苟嗄曛?，島上女孩接連慘遭殺害，一名菜鳥(niǎo)琉球警察（妻夫木聰 飾）奉令偵辦命案。追捕疑犯的過(guò)程中，在兇手車(chē)子里發(fā)現(xiàn)的人骨和一名神秘出現(xiàn)的男孩，讓他兒時(shí)身為戰(zhàn)果撈客的記憶與一道道未解謎團(tuán)又重回腦海。
不干了，我開(kāi)除了黑心公司
福士蒼汰,工藤阿須加,黑木華,森口瑤子,池田成志,小池榮子,吉田鋼太郎北川恵海人氣小說(shuō)《不干了，我開(kāi)除了黑心公司》電影化，成島出執(zhí)導(dǎo)，福士蒼汰主演，工藤阿須加、黑木華、小池榮子、吉田綱太郎等在片中出演。講述了青山隆在公司被壓迫精神壓力過(guò)大，但被朋友山本的活力感染又恢復(fù)了自信，但隆卻得知真正山本三年前就自殺了……
被撓
大衛(wèi)·法里爾,迪倫·里夫,大衛(wèi)·斯塔爾,哈爾·卡普,戴維·達(dá)馬托網(wǎng)絡(luò)上流傳著關(guān)于“撓癢”的神秘競(jìng)技，一個(gè)同志想?yún)⑴c這場(chǎng)“撓癢癢大賽”卻被告知此運(yùn)動(dòng)僅限直男。記者大衛(wèi)·法里爾(David Farrier)深入探尋后發(fā)現(xiàn)“撓癢”的背后是一條完整的灰色產(chǎn)業(yè)鏈，這其中不僅有撓癢視頻的制作方對(duì)演員的壓榨與侵害，甚至還能看到美國(guó)由金錢(qián)操縱的階級(jí)制度的冰山 一角。 本片曾獲得2016年第32界圣丹斯電影節(jié)世界電影單元紀(jì)錄片評(píng)審團(tuán)大獎(jiǎng)提名?！ ∫粓?chǎng)“撓癢”的運(yùn)動(dòng)，卻讓人笑不 出來(lái)。