新婚女老年人時(shí)間停止

　　蘇明儀（程予希 飾）暗戀同校的顏立堯（施柏宇 飾）很久了，沒(méi)想到分班后成為同學(xué)，顏立堯不受拘束的性格讓他經(jīng)常被風(fēng)紀(jì)股長(zhǎng)蘇明儀“記名字”，記著記著，同時(shí)也在心里刻下了不可磨滅的印記，殊不知，卸下風(fēng)紀(jì)的她，只是一個(gè)暗戀他許久的傻女孩罷了。當(dāng)別人還在揮霍青春，年少的三人被迫提早面對(duì)人生的課題?！　　捌鋵?shí)，我早就喜歡你，只是不敢告訴你”?　　故事線長(zhǎng)達(dá)10年，懵懂的他們各自把秘密埋在心底，直到真正變成大人的那一天。

　　In the near future, drugs and crime have risen 500%. A disintegrating police force is unable to deal with this horrifying problem...

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　黑心鬼（午馬 飾）原是百年前的善長(zhǎng)人翁，好事做盡，卻令田地善惡不平衡，故被罰在陽(yáng)間害九名貪心之人后方可投胎；陳康泰（陳友 飾）誤放出尿壺中的黑心鬼，被贈(zèng)予三個(gè)愿望，試驗(yàn)其是否貪心之人?？堤┲苄浅剑俾?飾）替兄頂罪而被解雇，寄居兄長(zhǎng)家中，被惡嫂梅賽花（梅艷芳 飾）逼做男傭，因而邂逅女鬼梅蘭花（梅艷芳 飾），另一方面，黑心鬼限期將至，決定完成康泰最后愿望后便取其性命，康泰能否度過(guò)此劫……