我的妹妹啊

　　科技業(yè)億萬(wàn)富翁邁爾斯·布朗（愛(ài)德華·諾頓 飾）邀了幾位感情深厚的摯友到他的希臘私人小島渡假，不料卻有人命喪于此！這座世外桃源原來(lái)并不如想像中美好。命案既出，大偵探布蘭科（丹尼爾·克雷格飾）此時(shí)不出馬更待何時(shí)？且看他如何解開(kāi)重重謎團(tuán)！

幾個(gè)年輕時(shí)懷揣街舞夢(mèng)想的青年，多年后經(jīng)歷了人去人走、世故變遷，懷著對(duì)朋友的懷念，懷著對(duì)未來(lái)的憧憬，又重拾了自己年輕時(shí)的夢(mèng)想，用舞蹈詮釋了人生態(tài)度……

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　現(xiàn)場(chǎng)網(wǎng)的馬楠（孫驍瀟 飾）和小魚（吳楚 飾）是一對(duì)相戀多年的情侶，馬楠不久在郊外購(gòu)得一處房產(chǎn)，剛好又趕上小魚的生日。于是他叫來(lái)同事兼好友張博（吳超 飾）、吳曉（馮波 飾）、龍梅（王思思 飾），為小魚策劃了一次生日派對(duì)，并計(jì)劃向小魚求婚。除了曾與小魚有過(guò)露水因緣張博外，整晚的派對(duì)都在歡快的氣氛下進(jìn)行。馬楠家隔壁住著一對(duì)經(jīng)常吵架的夫妻，異常聒噪的吵鬧聲引起吳曉等八卦女的好奇，她們結(jié)伴來(lái)到隔壁一探究竟，卻意外發(fā)現(xiàn)恐怖血腥的殺人現(xiàn)場(chǎng)。　　原本就住戶稀少的公寓，此時(shí)仿佛變成一座巨大的鬼屋。不斷閃爍的燈光，凄厲刺耳的尖叫聲以及喪心病狂的殺人者。一種如瘟疫般的病毒在公寓內(nèi)肆意蔓延……