巴德爾和邁因霍夫集團(tuán)
本片講述了1970年代德國極左恐怖組織;紅軍支隊(duì);的興衰史。由安德里亞斯;巴德爾（莫里茲 ;布雷多 Moritz Bleibtreu飾）和烏爾麗克 ;邁因霍夫（馬蒂娜 戈黛特 Martina Gedeck飾）領(lǐng)導(dǎo)的德國無政府主義組織;紅軍支隊(duì) ，從1972年開始一直從事極左的恐怖活動。在標(biāo)榜以德國;國家道德腐敗 的名義下，該組織試圖創(chuàng)建一個更加人性化的社會體制。然而他們正是用以暴制暴的方式，犯下了多起暗殺、爆炸攻擊以及綁架的罪行，所謂的人性在嗜血成性的恐怖事件當(dāng)中消失殆盡。影片根據(jù)記者斯特凡奧斯特80年代的暢銷書改編而成，榮獲2009年第81屆奧斯卡金像獎最佳外語片提名，2009年第66屆金球獎電影類-最佳外語片提名，2009年第22屆歐洲電影獎最佳男演員提名等多項(xiàng)大獎。
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最后的救贖2024
娜塔莉·伯恩,詹姆斯·科茲莫,Denisa Juhos在這片充滿劍和魔法的土地上，土匪們?yōu)榱吮Ｗo(hù)一個小女孩而脫離了他們的幫派，讓他們與曾經(jīng)像他們父親一樣的老朋友和前領(lǐng)導(dǎo)人對抗。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
白天是阿波羅，晚上是雅典娜
吉澤姆·比爾根,梅利·杜澤恩利,巴里斯·戈內(nèi)嫩,內(nèi)拉·卡亞巴西,拉爾·曼蘇爾,德尼斯·圖爾卡利,塞倫·烏柴爾,埃茲吉·切利克德芙尼（Defne）前往古老的地中海城市西戴（Side），在那里遇到了一位革命者、一個妓女、一位女祭司以及其他神秘人物。在他們的指引下，她開始尋找拋棄她的母親。這部由充滿潛力的女導(dǎo)演艾米妮·耶爾迪勒姆（Emine Yildirim）執(zhí)導(dǎo)的處女作，以西戴為背景。西戴是古希臘的一個殖民地，曾是位于今日安塔利亞附近的繁榮港口城市。電影《日為阿波羅，夜為雅典娜》標(biāo)題中的兩位希臘神祇分別是理性之神太陽神阿波羅和智慧、手工藝及戰(zhàn)爭女神雅典娜。這部影片是一部充滿奇幻色彩的劇情片，講述了女性與男性、生者與死者的故事。
奇逢敵手
舒淇,安志杰,任達(dá)華,黃卓玲,林雪,黃浩然,許紹雄,吳大維,杜汶澤,田蕊妮女警阿玲（舒淇 飾）身邊有一對兒癡狂的追求者，但她的心思在那個夢中搭救她的白衣男子身上。好友祖兒（陳逸寧 飾）得到了一份前往馬來西亞拍攝廣告的工作，心情不佳的阿玲隨同旅行。介紹祖兒工作的波比陳（林雪 飾）為人輕浮好色，暗中還是黑市交易中間人，波比陳正籌劃從大哥潘（任達(dá)華 飾）手中引進(jìn)飛彈導(dǎo)航系統(tǒng)，而這一交易，被兩名私家偵探華哥（許紹雄 飾）和埃里克斯（安志杰 飾）伺機(jī)破壞。埃里克斯誤會阿玲是波比陳的交易對象，而阿玲則認(rèn)為埃里克斯是自己的夢中英雄，兩人懷著不同的目的開始交往。另一方面，香港小賊阿蟹（杜汶澤 飾）盲打誤撞破壞了波比陳和大哥潘的交易，幾路人馬陷入了沖突和誤會……
遠(yuǎn)古狂蟒
Diego Escobar,Giselle Garci,Hannah Hueston,Jordan Iverach,菲利浦·卡納,多米尼克·基汀,Maureen Kedes在墨西哥的叢林深處的神廟，考古學(xué)家們發(fā)現(xiàn)了一種古老的蛇崇拜文化，同時他們不小心釋放了一條沉睡了幾個世紀(jì)的巨大而可怕的蟒蛇。
有罪，AI如此宣判
芳根京子,臼田麻美,橋本淳, 井內(nèi)悠陽,小川冬晴,濱田信也,藤井直樹,荒井敦史,坂口涼太郎,兒島雄一,巖谷健司,岸本鲇佳,淺野和之,風(fēng)吹淳,國村隼新人法官高遠(yuǎn)寺圓（芳根京子飾）每日忙于庭審中的證人詢問、審閱證據(jù)與鑒定報告、檢索判例以及撰寫判決書等工作。某日，圓被委以重任，負(fù)責(zé)測試性引入法院的AI系統(tǒng)“法神”。當(dāng)輸入過往審判數(shù)據(jù)后，“法神”瞬間生成的判決書與法官苦心撰寫的文書毫無二致，判決結(jié)果也完全一致。法官們?yōu)楣ぷ餍实娘w躍提升欣喜不已，唯獨(dú)圓對“法神”始終心存警惕。 圓與臨近退休的法官檜葉共同負(fù)責(zé)一宗18歲少年刺殺生父的案件。作為審判長的檜葉在開庭前將數(shù)據(jù)輸入“法神”進(jìn)行判決模擬，AI瞬間給出的判決是“死刑”。 對AI能力深感興趣的檜葉。對AI愈發(fā)警惕的圓。當(dāng)陪審員們也卷入其中時，人們再度直面探尋真相的艱難困境。究竟誰能辨明真相？是AI？是人類？還是??? 這部社會派娛樂作品直面當(dāng)下以驚人速度滲透社會的AI技術(shù)，深刻叩問使用AI的人類應(yīng)有的姿態(tài)！