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劇情提要
貌似還有年輕時間的李連杰哦,養(yǎng)鬼大師教你點樣養(yǎng)鬼 ; 林國雄大師教你逢du必贏術(shù) ; 一個觀音像令到謝利源傾家蕩產(chǎn) ; 直升機師意外真相大揭秘 ; 船街鬼屋比高街鬼屋勐 ; 李連杰點解 28 歲前無得"發(fā)" ; 教你先人妝唔可以亂咁化 ; 臺灣祭神一晚燒咗成條街 ; 港英政府前途衰系乜嘢手 ; 相學大師首次教你睇全相 ; du神上身刀槍不入 ; 揭開快活谷大石鼓之謎 ; 解開沈肥肥婚姻批離之謎 ; 資料詳盡, 不能盡錄......
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好像一切都很糟糕
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster