深?lèi)?ài)
韓《愛(ài)人》續(xù)片,成賢娥2012最新作品?;及┌Y的部門(mén)是向姜受延離別分手,但他的事實(shí)被姜受延沒(méi)有分手,絕對(duì)不會(huì)對(duì)宣布。但是患癌癥的部門(mén)是什么事也總是旁邊的姜受延逐漸對(duì)自己更冷。姜秀妍獨(dú)自就失眠故意身體的女子和ML,他姜受延目睹的情況。另外,珉奎自己的朋友介紹麗水的生日那天,把醉酒搖搖欲墜的她的心和民奎在孤獨(dú)但向民奎...
即刻觀影
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耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
夢(mèng)起云上
劉承林,李寶安,潘悅八百里關(guān)中平原,一起商販和果農(nóng)的收購(gòu)沖突事件,促使兩個(gè)在外打拼的年輕人走在了一起,是素未蒙面的陌生人也是創(chuàng)業(yè)合作的歡喜冤家。在互聯(lián)網(wǎng)電商直播的浪潮下,他們和心懷希望的村民們擦出了神奇的火花,一起開(kāi)啟了一段瘋狂的嘗試與冒險(xiǎn),踏上了共同致富的曼妙旅程。
哈留恩佩與邪惡祭司
Peter Franzén,伊麗娜·別爾克倫德,Jenni Banerjee在芬蘭警局供職多年的Timo,每天都周旋于形形色色的兇案罪犯之間,長(zhǎng)年疲于工作,使得他疏于對(duì)家人的照顧。女兒在一次意外的派對(duì)中遭人強(qiáng)奸,成為他心中揮之不去的陰影。此時(shí),一名神秘案犯走進(jìn)了他的生活,提莫如何在重重陰霾下抓出真兇……
異形怪胎
布魯克·亞當(dāng)斯,詹姆斯·凱倫,麗莎·庫(kù)卓,凱西·格里芬,Jeff Hayenga薇吉妮亞(布魯克亞當(dāng)斯)與老公(杰夫海恩嘉)為了想生個(gè)孩子,用盡了一切辦法,在求教過(guò)一位專(zhuān)門(mén)治療不孕癥的專(zhuān)家(詹姆斯凱倫)后,最后終于如愿以償?shù)爻晒κ茉小?原本滿心期待當(dāng)媽媽的薇吉妮亞,卻發(fā)現(xiàn)自己的身體起了不該發(fā)生的詭異變化,當(dāng)夫妻倆發(fā)現(xiàn)這個(gè)尚未出生的孩子竟是項(xiàng)瘋狂實(shí)驗(yàn)的成果時(shí),卻為時(shí)已晚,薇吉妮亞腹中的「胎兒」已成了兩人無(wú)法擺脫的惡夢(mèng)…
一個(gè)明星的誕生1937
珍妮·蓋諾,弗雷德里克·馬奇,阿道夫·門(mén)吉?dú)W,梅·羅布森,安迪·德懷恩,萊昂內(nèi)爾·斯坦德,歐文·摩爾,佩吉·伍德,埃德加·肯尼迪,J·C·紐金特,吉恩·威廉姆斯,簡(jiǎn)·阿克,Eric Alden,歐文·培根,Jane Barnes,文斯·巴尼特,克拉拉·布蘭迪克,韋德·博特勒,西德尼·布雷西,Harry C. Bradley,Lynton Brent,海倫·查德維克,喬治·錢(qián)德勒,Virginia Dabney,Billy Dooley,赫伯特·埃文斯,雷克斯·埃文斯,帕特·弗萊厄蒂,弗朗西斯·福特,Tri艾斯特(珍妮·蓋諾 Janet Gaynor 飾)是懷揣著成名的夢(mèng)想,剛剛步入好萊塢發(fā)展的年輕女演員,在大明星諾曼(弗雷德里克·馬奇 Fredric March 飾)舉辦的慈善演出中,艾斯特大放異彩,成為了萬(wàn)眾矚目的焦點(diǎn),而她和諾曼之間也相互吸引,漸漸產(chǎn)生了感情,就這樣,兩人走到了一起。諾曼用自己的人脈幫助艾斯特創(chuàng)造了一些演出機(jī)會(huì),而艾斯特本身就是一個(gè)悟性非常高的女孩,擁有絕佳的表演天賦,沒(méi)過(guò)多久,她就成為了冉冉升起的新星,未來(lái)可期,前途無(wú)量。但相對(duì)的,艾斯特的成名反襯出了諾曼的過(guò)氣,他酗酒的毛病讓他的星途屢遭滑鐵盧。雖然妻子的優(yōu)秀令諾曼感到自豪,但沮喪和挫敗感亦在無(wú)時(shí)不刻的折磨著他。
拯救地球
艾瑪·斯通,杰西·普萊蒙,艾丹·德?tīng)柋人?斯塔夫羅斯·哈爾基阿斯,艾麗西亞·希爾維斯通,帕文德·謝爾吉爾,瓦妮莎·恩格,亞伊薩,塞德里克·迪莫爾內(nèi),馬克·T·劉易斯,莫瑪·切瑞,卡門(mén)·加林德斯·巴雷拉,羅杰·卡瓦略兩名深信陰謀論的年輕人綁架了一位有權(quán)有勢(shì)的大型企業(yè)女首席執(zhí)行官(艾瑪·斯通 Emma Stone 飾),因?yàn)樗麄儓?jiān)信她其實(shí)是個(gè)企圖摧毀地球的外星人。