劇情縱覽
女主又白又漂亮，史吉米，一名證券公司的經(jīng)紀(jì)高手，原有美滿家庭，且工作順利，但現(xiàn)在卻面臨離婚的壓力，且上司處處找碴，生活苦悶，一日卻邂逅一名誘人美女，結(jié)果被扯入一場(chǎng)離奇糾紛 通過(guò)個(gè)人和職業(yè)問(wèn)題圍攻會(huì)計(jì)師（哈姆林）介入與蛇蝎美人（安東尼）和她的神秘心理醫(yī)生（艾恩賽德）。
在線暢看
臻選佳作
安娜和世界末日
艾拉·亨特,馬爾科姆·卡明,莎拉·斯維爾,克里斯托弗·萊沃,瑪里·休,本·威金斯,馬克·本頓,保羅·凱耶,肖恩·康納,約翰·溫切斯特,艾拉·賈維斯,杰基·伯德
一部混雜音樂(lè)劇和喪尸電影的喜劇片，這部僵尸歌舞片的框架基于2010年英國(guó)電影學(xué)院獎(jiǎng)獲獎(jiǎng)短片《僵尸音樂(lè)劇》（暫譯）（ZombieMusical），講述了一大波僵尸窮追猛打一撮人，他們邊唱邊打，不斷求生的故事。電影取景地為蘇格蘭，由艾拉·亨特出演安娜，馬克·本頓飾演安娜的父親，保羅·凱耶出演反派。
龍門相
何熙維,馬國(guó)偉,段瓊,趙東飛,沃志強(qiáng),李桃
東北小鎮(zhèn)，白事先生張英豪和賣狐皮的王元順意氣相投。但背地里王元順卻與張英豪的媳婦李文紅有染。李文紅懷上了王元順的孩子，王元順決定殺死張英豪。然而他雇傭來(lái)的殺手竟屢屢失手。王元順殺人不成反被殺手訛錢。無(wú)奈之下，他開(kāi)始挑撥殺手們的關(guān)系……一年后，一具尸體驚現(xiàn)廢井。警方確定王元順有重大作案嫌疑?？赏踉槄s已離奇失蹤，仿佛人間蒸發(fā)……
是的2025
艾里爾·布隆茲,伊芙雷特·多,納馬·普雷斯,阿列克謝·謝列布里亞科夫,莎倫·亞歷山大,Pablo Pillaud-Vivien,Idit Teperson,Meir Fenigstein,Amit Narovliansky,Ellie Ohana,Joy Ohana,Noah Lapid Preis,阿薩夫·喬納斯,Shira Shaish,Daria Gilat Brenner,Ron Friedland,Rodia Kozlovski,Rachel Ayalo,Oded Carmi,Muriel Ha
富豪私人派對(duì)上，一對(duì)男女忘我炒熱氣氛，只要金主敢玩，他們十倍奉還。白天，兩人棲居小公寓照料幼子，她靠教舞維生，他則是潦倒音樂(lè)家。然而，手機(jī)里傳來(lái)的加沙煉獄景象使他們焦慮，周遭人們卻歡慶著血流成河，他們?yōu)榱藴仫?，繼續(xù)出賣靈魂。某夜，他收到酬勞可觀的邀約，卻必須將金主寫下的魔鬼詩(shī)篇譜成新國(guó)歌。為了五斗米，他決定深入國(guó)族的集體創(chuàng)傷，尋找主旋律。
好像一切都很糟糕
Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster