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天使航班電影版
米倉涼子,松本穗香,城田優(yōu),矢本悠馬,野呂佳代,向井理,遠(yuǎn)藤憲一舉起手來2:追擊阿多丸號
潘長江,郭達(dá),劉小微從此以后
康妮·布里登,喬瓦尼·索羅菲瓦,托馬索·巴西利,巴貝蒂達(dá)·薩喬,亞歷山德羅·布雷薩內(nèi)羅,Syama Rayner,安德烈亞·布魯斯基,Freya Hannan-Mills,Giorgia Trasselli,Lollo Franco犯罪讀者俱樂部
Veki Velilla,Iván Pellicer,阿爾瓦羅·梅爾,卡洛斯·阿爾凱德,瑪麗亞·賽爾祖埃拉,普利西婭·戴爾加多,丹尼爾·格勞,Carmela Lloret,Ane Rot,Hamza Zaidi妙藥春情
加里·格蘭特,金杰·羅杰斯,查爾斯·科本,瑪麗蓮·夢露阿爾瑪與狼
伊?!ざ鞑祭?李麗君,馬瑟·澤科爾,Alexandra Doke,杰雷米·哈里斯,Beth Malone,達(dá)娜·米利肯,Kevin Allison,Lukas Jann同類推薦
納什維爾謀殺案
Sarah Zanotti,Nick Puya,科賓·蒂布魯克,Kate Dailey,Alex Bowling,Ellen B. Williams,Christopher St. Mary,Trisha Owen,Diane D Carter,Allen C. Shepherd Sr.聚焦追夢女孩伊登的納什維爾驚魂:懷揣音樂夢的她移居鄉(xiāng)村音樂之都,與音樂大亨之子杰克斯墜入愛河,卻在甜蜜中發(fā)現(xiàn)多起與杰克斯相關(guān)的女性連環(huán)命案。隨著調(diào)查深入,家族的黑暗秘密層層揭開,伊登驚覺自己早已身陷致命陷阱。
重慶森林
林青霞,金城武,梁朝偉,王菲,周嘉玲編號為223的警察(金城武)失戀后患上失戀綜合癥,在與金發(fā)女殺手(林青霞)擦肩而過又離奇相遇并有了一晚溫情后,原本以為包括“愛情”在內(nèi)的所有東西都有保質(zhì)期的他意外地迎來心靈的短暫溫暖??墒?,他們的愛情還是結(jié)束了。快餐店新來的女招待阿菲(王菲)愛上了時常光顧快餐店的編號 為663的警察(梁朝偉),因拆了他的女友(周嘉玲)留在快餐店給他的“分手” 信,阿菲知曉了他的心情,偷拿到他的鑰匙趁他不在時常潛入他家,一邊夢游一邊悄悄地改變他的生活,終在被他撞見時令其感受到情感的回歸。然而,這才是他們愛情的開始。
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
安·李的遺囑
阿曼達(dá)·塞弗里德,托馬辛·麥肯齊,劉易斯·普爾曼,克里斯托弗·阿波特,蒂姆·布雷克·尼爾森,馬修·比爾德,斯塔西·馬汀,維奧拉·佩雷特約翰,斯科特·漢迪,斯科特·亞歷山大·楊,杰米·博吉奧,米麗-蘿絲·克若斯莉,大衛(wèi)·卡勒這部電影設(shè)定在18世紀(jì)的英格蘭,并“靈感來源”于真實事件,是一部關(guān)于宗教領(lǐng)袖安·李(Ann Lee)的“史詩寓言”,安·李是謝克教運動的創(chuàng)始人,且被她的追隨者宣稱為“女性基督”。
阿爸請你嘛嘛吼
邱凱偉,嚴(yán)正嵐,陳峻廷,張哲偉,潘慧如,賴銘偉一名對父親誤解深重的女兒(嚴(yán)正嵐飾),在父親性命垂危時決定「觀落陰」,試圖喚回父親靈魂,并意圖將千萬家產(chǎn)據(jù)為己有。