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阿爾及爾之戰(zhàn)
卜拉欣·哈賈季,讓·馬丹,Yacef Saadi,Samia Kerbash,Ugo Paletti,Fouzia El Kader,Mohamed Ben Kassen超級黑暗時(shí)代
歐文·坎貝爾,查理·塔漢,伊麗莎白·卡布奇諾,馬克斯·塔利斯曼,索耶·巴斯,艾米·哈格里夫斯,安德亞·雷諾克斯,Ethan Botwick,Philip H. Ashley,Justin Rose,Kortnee Rumph,Samantha Jones,Anni Krueger,Jeffrey Alan Solomon,Carl Arcilesi三十一
伊麗莎白·戴利,雪莉·穆恩·贊比,丹尼爾·洛巴克,勞倫斯·希爾頓-雅各布斯瘋狂動物園
威爾·福特,約翰·雷吉扎莫,約翰·克里斯,吉姆·卡明斯,杰森·瓊斯,薩曼莎·比被時(shí)間遺忘的人
帕特里克·韋恩,道格·麥克洛,莎拉·道格拉斯差不多的朋友
弗萊迪·海默,奧德婭·拉什,克里斯托弗·米洛尼,海利·喬·奧斯蒙,杰克·阿貝爾,麗塔·沃爾克,瑪格·海根柏格,泰勒·約翰·史密斯同類推薦
非禮勿視
Glen Jacobs,克雷格·霍納,Michael J. Pagan八個(gè)感化院的青年在兩名警官的監(jiān)督下,前往鄉(xiāng)間一所破敗的客棧中接受社區(qū)服務(wù),但是他們的到來卻無意中驚醒一個(gè)沉寂已久的惡魔。雅克布?古德奈特 飾(Glen Jacobs 格蘭“凱恩”雅克布 飾),身高七英尺,體重四百磅,頭骨里嵌著一個(gè)生銹的鐵盤,鋒利的指甲足夠戳穿對手眼睛的精神病患者?! ⊙趴瞬妓哪昵霸痪俑ヌm克?威廉姆斯(Steven Vidler 飾)槍擊頭部,卻僥幸逃生。如今弗蘭克正是這群青年的督導(dǎo)員。弗蘭克和孩子們的出現(xiàn)激起了雅克布屠殺的欲望,他舉起巨斧,將客棧變作血腥的屠宰場……
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
毛骨悚然撞鬼經(jīng) 2016夏季特別篇
稻垣吾郎,武井咲,豐島花,板谷由夏,中島健人,前野朋哉,半海一晃,生田繪梨花,生駒里奈,齋藤飛鳥,白石麻衣,西野七瀨,笨蛋節(jié)奏,岸井雪乃,吉本美憂,利重剛,柳葉敏郎,前田敦子,鹿賀丈史病房里的五元硬幣:護(hù)士吉川亞由美(武井咲 飾)發(fā)現(xiàn),每當(dāng)小病人麻友呆呆地指著某個(gè)房間某個(gè)病床時(shí),該病床的病人就會很快死去。壁櫥好可怕:心懷美容師夢想的青年干也(中島健人 飾)在東京租住了一間廉價(jià)公寓,然而房間內(nèi)的壁櫥門總會莫名其妙打開。多出一個(gè)人的電梯:四名高中女孩去看望骨折住院的好友上崎亞矢奈因(生駒里奈 飾),當(dāng)她們準(zhǔn)備坐電梯離開時(shí),電梯內(nèi)突然好像又進(jìn)來一個(gè)“人”。詛咒繪馬:小島洋介(バカリズム 飾)意外得到一個(gè)會帶來厄運(yùn)的繪馬,他試圖擺脫卻沒有辦法。夏季通知:不顧父親反對而闖蕩東京的朋子(前田敦子 飾)飽受挫折,偏偏她發(fā)現(xiàn)已經(jīng)去世的父親(鹿賀丈史 飾)時(shí)不時(shí)出現(xiàn)在他的身邊。引誘池塘:已步入老年的高松(柳葉敏郎 飾)告別子女,打算在度假區(qū)多待一天,夜幕降臨,他似乎看到去世妻子的鬼魂在召喚著他。
港之光
館博,尾上真秀,真榮田鄉(xiāng)敦,黑島結(jié)菜,齋藤工,瀧正則,一之瀨亙,山野仁,赤堀雅秋,市村正親,宇崎龍童,笹野高史,椎名桔平由藤井道人執(zhí)導(dǎo)并編劇、與館博二度合作的本片《港之光》,以北陸港口小鎮(zhèn)為背景,描繪了前黑道成員“大叔”與因事故失去雙親及視力的少年幸太之間跨越十余年的友情。片中,大叔通過“某種方法”籌措資金使幸太重見光明,但彼時(shí)大叔已不在身邊。成長為青年的幸太相信著“其實(shí)大叔曾是刑警”這個(gè)小小謊言,如同追逐給予自己光明的憧憬之人般,成為了刑警。館博飾演化名三浦的“大叔”,歌舞伎界新星尾上真秀首登銀幕出演少年幸太,真榮田鄉(xiāng)敦詮釋青年幸太。
國寶2025
吉澤亮,橫濱流星,渡邊謙,高畑充希,寺島忍,田中泯,森七菜,見上愛,永瀨正敏,黑川想矢,三浦貴大本片改編自吉田為了采訪3年,穿著歌舞伎的黑衣進(jìn)入后臺的經(jīng)驗(yàn)而寫出的長篇小說,出生于任俠一門、投身于歌舞伎世界、將青春獻(xiàn)給演藝之路的喜久雄,賭上自己的生命去追求無盡的夢想的宏偉故事:舞臺是從戰(zhàn)后到高度經(jīng)濟(jì)成長期的日本。出生于任俠家族的喜久雄,遭遇了數(shù)奇的命運(yùn),被拽到歌舞伎演員的家中。不久后,在動蕩的人生中,他作為歌舞伎演員的才能開花結(jié)果。