濕度的愛情

★ 2.6 播放：20萬 更新：2026-04-30

鄉(xiāng)下小鎮(zhèn)上一對年輕夫妻開了間公共澡堂，丈夫擔(dān)任鍋爐，老婆則在前臺收錢，黑澤愛每天都可以;仰視 rdquo;許多男性的L體。黑澤愛有著難以啟齒的性古怪：喜愛水，喜愛在水中ML。昏暗夜色下澡堂挺拔的煙筒，雨霧迷茫里寂寥的屋檐，情欲像是地面上彎曲綿綿的雨水，在濕膩的空氣中擴(kuò)大。龜井亨情欲國際里心里壓抑的愿望愈加直觀，愈加赤裸。丈夫徹底不了解老婆的需求，尋來了心理醫(yī)生希望能治好老婆的性冷淡，但其實需求添補的，不是黑澤愛心中的愿望之井，而是兩人缺少交流了解的那條看不見的距離。老婆忍耐不住客人的誘惑，總算在澡堂的水池里放縱了個人的情欲，嗟嘆、快感、高潮褪去后的喘息 ;老婆變節(jié)了丈夫，情欲瓦解了愛情。丈夫賣掉了澡堂，決議和老婆一同去巡游，列車慢慢脫離小鎮(zhèn)的時分，丈夫黯然下了車，剩余黑澤愛獨自由夜色中消逝，她要尋尋的愛情和美好并不是他能給予的。 　　

在線播放

劇情簡介

鄉(xiāng)下小鎮(zhèn)上一對年輕夫妻開了間公共澡堂，丈夫擔(dān)任鍋爐，老婆則在前臺收錢，黑澤愛每天都可以;仰視 rdquo;許多男性的L體。黑澤愛有著難以啟齒的性古怪：喜愛水，喜愛在水中ML。昏暗夜色下澡堂挺拔的煙筒，雨霧迷茫里寂寥的屋檐，情欲像是地面上彎曲綿綿的雨水，在濕膩的空氣中擴(kuò)大。龜井亨情欲國際里心里壓抑的愿望愈加直觀，愈加赤裸。丈夫徹底不了解老婆的需求，尋來了心理醫(yī)生希望能治好老婆的性冷淡，但其實需求添補的，不是黑澤愛心中的愿望之井，而是兩人缺少交流了解的那條看不見的距離。老婆忍耐不住客人的誘惑，總算在澡堂的水池里放縱了個人的情欲，嗟嘆、快感、高潮褪去后的喘息 ;老婆變節(jié)了丈夫，情欲瓦解了愛情。丈夫賣掉了澡堂，決議和老婆一同去巡游，列車慢慢脫離小鎮(zhèn)的時分，丈夫黯然下了車，剩余黑澤愛獨自由夜色中消逝，她要尋尋的愛情和美好并不是他能給予的。 　　

導(dǎo)演精選

留低你個死人頭

　　蓋布麗（安琪拉·瓊斯 Angela Jones 飾）的童年里有一段非?？膳碌慕?jīng)歷，年幼的她曾經(jīng)在兇殺現(xiàn)場親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開始對尸體和死亡產(chǎn)生了好奇之心，這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來，蓋布麗甚至?xí)匾獾氖詹貓蠹埳系闹\殺新聞做成剪報冊，時時翻閱溫習(xí)?！　∵~阿密接連發(fā)生兇殺案，被害者均是養(yǎng)尊處優(yōu)的闊太太，而且無不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意，為了能夠更加接近命案現(xiàn)場，蓋布麗來到了一間專門清理命案現(xiàn)場的保潔公司應(yīng)聘成為了員工，并且在機(jī)緣巧合之下同連環(huán)殺人犯（威廉·鮑德溫 William Baldwin 飾）有了一面之緣。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

電影版 即便如此，我還是想和妻子做

本片改編自足立紳同名小說，電影版是包括未公開場景的導(dǎo)演剪輯版本。年過40卻依然不受歡迎的編劇、沒有收入的廢柴丈夫·柳田豪太（風(fēng)間俊介 飾），與吃軟飯一樣的丈夫和兒子一起維持生活、拒絕丈夫的邀請、還破口大罵的可怕妻子·柳田千花（MEGUMI 飾），兩人之間展開了又笑又哭的夫婦故事。