妻子和她的學(xué)生
男主一直思念著曾經(jīng)的女老師的肉體，導(dǎo)致對(duì)自己的妻子產(chǎn)生不了性趣，妻子漂亮性感，而且是個(gè)老師，想盡了各種辦法誘惑男主，男主依然無(wú)法勃起，偶然的一次，男主發(fā)現(xiàn)妻子的學(xué)生偷窺妻子的裙底，讓男主產(chǎn)生了巨大的性趣，于是他讓妻子用教師制服誘惑他，結(jié)果效果很好，為了徹底治愈男主，妻子決定跟學(xué)生進(jìn)行一些不軌的行為，然后進(jìn)行錄像，給男主欣賞，男主也非常喜歡，而事情似乎越來(lái)越不可控，男主還想要找男人來(lái)群P妻子....
即刻觀影
劇情賞析
編輯推薦
奇逢敵手
舒淇,安志杰,任達(dá)華,黃卓玲,林雪,黃浩然,許紹雄,吳大維,杜汶澤,田蕊妮女警阿玲（舒淇 飾）身邊有一對(duì)兒癡狂的追求者，但她的心思在那個(gè)夢(mèng)中搭救她的白衣男子身上。好友祖兒（陳逸寧 飾）得到了一份前往馬來(lái)西亞拍攝廣告的工作，心情不佳的阿玲隨同旅行。介紹祖兒工作的波比陳（林雪 飾）為人輕浮好色，暗中還是黑市交易中間人，波比陳正籌劃從大哥潘（任達(dá)華 飾）手中引進(jìn)飛彈導(dǎo)航系統(tǒng)，而這一交易，被兩名私家偵探華哥（許紹雄 飾）和埃里克斯（安志杰 飾）伺機(jī)破壞。埃里克斯誤會(huì)阿玲是波比陳的交易對(duì)象，而阿玲則認(rèn)為埃里克斯是自己的夢(mèng)中英雄，兩人懷著不同的目的開(kāi)始交往。另一方面，香港小賊阿蟹（杜汶澤 飾）盲打誤撞破壞了波比陳和大哥潘的交易，幾路人馬陷入了沖突和誤會(huì)……
神秘島
邁克爾·克雷格,瓊·格林伍德During the US Civil War, Union POWs escape in a balloon and end up stranded on a South Pacific island, inhabited by giant plants and animals. They must use their ingenuity to survive the dangers, and to devise a way to return home. Sequel to '20,000 Leagues Under the Sea' . Written by Stewart M. Clamen
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
瀟灑先生
鄭則仕,關(guān)之琳,戚美珍,張國(guó)強(qiáng),樓南光,柏安妮,焦姣,成奎安,陸劍明,曹建南,龍?zhí)焐?劉錫賢,葉偉信,勞劍華,黃一飛,許英秀,劉玉婷,許思敏,陳穎芝 ,黃雄瀟灑是一個(gè)船員，整天在海上漂泊，一去就是幾個(gè)月，他的媽媽和小妹阿珍都很擔(dān)心他。一天，瀟灑回到家，妹妹非常驚喜，可是他的媽媽并不開(kāi)心，覺(jué)得他沒(méi)有出息。瀟灑很是委屈，于是借酒消愁。阿珍和她的媽媽靠開(kāi)小店為生，每天，早晨都有很多出租司機(jī)來(lái)照顧她們的生意，其中有一位司機(jī)阿光對(duì)阿珍有意思，經(jīng)常來(lái)幫助她們。一天，政府通知他們，房子半年后要撤，但是他們一時(shí)又拿不出錢(qián)去買(mǎi)新的房子，為了籌錢(qián)，于是一家人在阿光的幫助……
留低你個(gè)死人頭
William Baldwin,安琪拉·瓊斯蓋布麗（安琪拉·瓊斯 Angela Jones 飾）的童年里有一段非?？膳碌慕?jīng)歷，年幼的她曾經(jīng)在兇殺現(xiàn)場(chǎng)親眼目睹死尸。這一段奇異的人生經(jīng)歷讓蓋布麗開(kāi)始對(duì)尸體和死亡產(chǎn)生了好奇之心，這股子好奇隨著她年齡的增大越發(fā)強(qiáng)烈起來(lái)，蓋布麗甚至?xí)匾獾氖詹貓?bào)紙上的謀殺新聞做成剪報(bào)冊(cè)，時(shí)時(shí)翻閱溫習(xí)。 邁阿密接連發(fā)生兇殺案，被害者均是養(yǎng)尊處優(yōu)的闊太太，而且無(wú)不身首異處。這起連環(huán)殺人案件很快就吸引了蓋布麗的注意，為了能夠更加接近命案現(xiàn)場(chǎng)，蓋布麗來(lái)到了一間專(zhuān)門(mén)清理命案現(xiàn)場(chǎng)的保潔公司應(yīng)聘成為了員工，并且在機(jī)緣巧合之下同連環(huán)殺人犯（威廉·鮑德溫 William Baldwin 飾）有了一面之緣。
包寶寶
丹尼爾·凱林,辛迪·勞畫(huà)面開(kāi)始，一雙豐滿(mǎn)的手靈巧地揉面、按記兒、搟皮兒、包包子。沒(méi)過(guò)一會(huì)兒，一籠白白凈凈又饞人的包子就做得了。相貌平平的女主人推開(kāi)廚房的窗戶(hù)，短暫的歇息。稍后，包子蒸熟，女主人端著它來(lái)到餐桌前。此時(shí)，她的老公已經(jīng)起床，正目不轉(zhuǎn)睛地盯著電視的新聞。而他看了表后狼吞虎咽，便匆匆上班去了。失落的女主人拿起最后一個(gè)包子，可剛一張嘴包子便大哭了起來(lái)。不知為何包子有了生命，而倍感孤獨(dú)的女主人格外開(kāi)心，于是將包寶寶當(dāng)做自己的孩子撫養(yǎng)。小包子一天天長(zhǎng)大，他起初和女主人分外親近，但是他漸漸有了自己的個(gè)性，渴望獨(dú)立，渴望遠(yuǎn)行……本片是《超人總動(dòng)員2》的貼片短片，榮獲奧斯卡電影金像獎(jiǎng)最佳動(dòng)畫(huà)短片獎(jiǎng)。