禁宮八大酷刑之極樂酷刑

★ 5.1 播放：31萬 更新：2026-04-30

明朝年間，有一無賴魏進(jìn)忠(林劍峰飾)仰羨先朝大太監(jiān)劉瑾(麥家琪飾)之榮華富貴，特意結(jié)識(shí)孫太監(jiān)望能引領(lǐng)入宮。一日，魏與孫觀賞奇技淫巧之雜耍表演時(shí)，孫看中藝妓向泰其(小宮友里飾)，并跟班主買下泰其，為施以極樂虐殺自娛。泰其得悉后哀求魏同赴私奔，出走當(dāng)晚，泰其向魏施展極樂酷刑秘技，魏獲真?zhèn)骱?，殺掉泰其并割其首?jí)及自宮陽物呈于孫太監(jiān)以作贖……

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劇情簡介

明朝年間，有一無賴魏進(jìn)忠(林劍峰飾)仰羨先朝大太監(jiān)劉瑾(麥家琪飾)之榮華富貴，特意結(jié)識(shí)孫太監(jiān)望能引領(lǐng)入宮。一日，魏與孫觀賞奇技淫巧之雜耍表演時(shí)，孫看中藝妓向泰其(小宮友里飾)，并跟班主買下泰其，為施以極樂虐殺自娛。泰其得悉后哀求魏同赴私奔，出走當(dāng)晚，泰其向魏施展極樂酷刑秘技，魏獲真?zhèn)骱?，殺掉泰其并割其首?jí)及自宮陽物呈于孫太監(jiān)以作贖……

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等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

這么遠(yuǎn)那么近

一位外向、人緣好的酒吧老板，雖然平日喜歡與人群為伍，內(nèi)心深處卻一直隱藏著對(duì)十年前逝去戀人的細(xì)膩思念。每當(dāng)他遇見容貌神似她的女子，總是不自覺地駐足凝望，深陷于回憶的漩渦中。

我的學(xué)姐是青蛇

打破白娘子傳說的固有框架，以許仕林后人許博森的現(xiàn)代視角切入，將千年神話與當(dāng)代青年的成長、抉擇結(jié)合，把 “救母” 而非 “愛情” 作為核心主線，賦予經(jīng)典故事全新的情感內(nèi)核與現(xiàn)實(shí)思考。