冰點下的幸福

2.3 播放:64萬 更新:2026-04-28

三十歲的希瑙對人生沒有大的追求,整日瀏覽色情網(wǎng)站,晚上與朋友喝酒胡混,閑賦在家靠領取救濟金生活,并且不會處理與女人的關系,他的女友奧菲對他真心實意而他卻心不在焉。恰逢圣誕節(jié)母親回外婆家時,她的朋友勞拉(維多利亞?阿夫里爾 Victoria Abril 飾)來家里做客并住下了,倆人遂發(fā)生了關系,事后勞拉毫不在乎而希瑙卻陷入了苦惱。次日母親回家告訴他她竟然與勞拉是情人關系,于是希瑙每天便看著自己的情人勞拉和母親相擁在床。一日勞拉告訴他,她懷孕了,并且要和希瑙的母親養(yǎng)大這個孩子組成一個完整的同性戀家庭,而這個孩子正是希瑙的,希瑙面對眼前這雜亂的關系,不知如何面對......

即刻觀影

劇情賞析

三十歲的希瑙對人生沒有大的追求,整日瀏覽色情網(wǎng)站,晚上與朋友喝酒胡混,閑賦在家靠領取救濟金生活,并且不會處理與女人的關系,他的女友奧菲對他真心實意而他卻心不在焉。恰逢圣誕節(jié)母親回外婆家時,她的朋友勞拉(維多利亞?阿夫里爾 Victoria Abril 飾)來家里做客并住下了,倆人遂發(fā)生了關系,事后勞拉毫不在乎而希瑙卻陷入了苦惱。次日母親回家告訴他她竟然與勞拉是情人關系,于是希瑙每天便看著自己的情人勞拉和母親相擁在床。一日勞拉告訴他,她懷孕了,并且要和希瑙的母親養(yǎng)大這個孩子組成一個完整的同性戀家庭,而這個孩子正是希瑙的,希瑙面對眼前這雜亂的關系,不知如何面對......

編輯推薦

世界末日2022

安妮·海瑟薇,杰瑞米·斯特朗,安東尼·霍普金斯,杰西卡·查斯坦,多米尼克·隆巴多茲,托芙·菲爾德舒,瑪西婭·讓·庫爾茨,泰迪·庫盧卡,邁克爾·班克斯,安德魯·波爾克

  世界末日是一部非常個人化的電影,展示了家庭的力量和一代人對美國夢的追求

等待方舟

耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

逆轉(zhuǎn)劫局

烏戈·席爾瓦,?,敗ぬK亞雷斯,娜塔莉·波薩,巴巴拉·戈納加,丹尼爾·佩雷茲·普拉達,蘇珊娜·阿巴圖納·戈麥斯,坎迪多·烏蘭加,Alexandra Prokhorova,Richard Sahagún,費爾南多·阿爾比祖

  焦急的母親菈葵兒(艾瑪蘇雷茲飾演)到銀行借錢,她必須在24小時內(nèi)籌到35000歐元(約新臺幣130萬元),否則她將再也見不到心愛的女兒。經(jīng)過不斷懇求,銀行終於同意借款給她救急。不料在貸款手續(xù)快要完成之時,兩個蒙面搶匪闖入銀行,不但搶走所有錢,就連在場所有顧客與行員都成為人質(zhì)。在分秒必爭的險境當中,菈葵兒決定無論付出什麼代價,都一定要拿到這筆錢全身而退…。究竟她該如何保住性命?又該如何籌錢保住女兒呢?

風車小騎士

Facundo Reyes,Marina Blanke,Julian Janssen

"Giants of La Mancha" is an extraordinary and adventurous journey for the whole family, following 11-year-old Alfonso, heir to Don Quixote, and his three imaginary rabbits, which are joined by Pancho and Victoria. With their power of friendship, they save their beloved hometown somewhere in La Mancha from a huge storm.. They dream the impossible dream, overcome their fears, and use their imagination to find the real force behind the storm.

沖繩小芙蓉

蔵下穂波,余貴美子,照屋政雄,平良富,NESMITH,亀島奈津樹,和田聡宏,登川誠仁

  座落沖繩的「Hotel Hibiscus」,雖然名為酒店,卻是只有一間客房的古舊民宿。里面住著小三女生美惠子和她的家人。美惠子活潑好動,每天和朋友一起去探險。某日,美惠子放學回家時,遇到了倒在地上的青年,并把他帶回Hotel Hibiscus…  導演中江裕司繼《Nabbie's Love》四年后的新作,《Hotel Hibiscus》繼續(xù)以沖繩為舞臺。電影改編自Nakasone Miiko的同名漫畫,描寫小三女生美惠子的冒險和成長。飾演美惠子的蔵下穗波是在3千名沖繩小學生中挑選出來,合演者包括平良Tomi、沖繩民謠歌手照屋政雄、余貴美子等。

毛骨悚然撞鬼經(jīng) 2020秋季特別篇

稻垣吾郎,上白石萌音,片岡愛之助,水上恒司,川島鈴遙,桐谷美玲,菜菜緒,長澤雅美,神木隆之介,伊藤淳史,堀北真希,坂上忍,生田繪梨花,生駒里奈,白石麻衣,西野七瀨,齋藤飛鳥,佐藤健

  本集收錄新作《造了不開啟的房間》《有內(nèi)情的KTV》及過去二十年名作選《交出手臂》《身后的女人》《深夜的鏡像》《懸崖下》《書本招來的幽靈》《出租車司機的經(jīng)歷》《多出一人的電梯》《顏之道》。