德川女刑罰史
日本Cult名導(dǎo)石井輝男上世紀(jì)60年代經(jīng)典作品?!∮捌ㄟ^三段故事展現(xiàn)了17世紀(jì)日本德川幕府時代的殘酷風(fēng)情畫第一段:少女和病重的哥哥相依為命,還時常受到別人的欺負(fù)。后來兄妹倆發(fā)生亂論,心懷愧疚的哥哥戳頸自殺,女孩則因亂論罪名受到幕府的嚴(yán)懲 第二段:新來的尼姑庵主持發(fā)現(xiàn)小尼姑和和尚的私情,嫉妒和憤恨讓她將小尼姑活活折磨致死,主持與其幫兇同樣沒有逃脫幕府酷刑的懲罰 第三段:類似《地獄變》和《禁室培育》的綜合體。江戶名雕長(小池朝雄 飾)最新作品;地獄變 受到酷吏南原(渡邊文雄 飾)的嘲笑,為了奪回榮譽(yù),他請求觀摩南原拷打女囚的場面,最終他完成了生命中最輝煌的作品
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未來之心
喬新峰,曹艷,張恩碩,張德暉,宮蘇紋四封情書
費(fèi)昂·奧謝,安·斯凱利,皮爾斯·布魯斯南,海倫娜·伯翰·卡特,加布里埃爾·伯恩選個家來愛
海瑟·格拉漢姆,朱麗婭·斯蒂爾斯比爾和泰德暢游鬼門關(guān)
基努·里維斯,亞歷克斯·溫特,威廉姆·賽德勒,喬斯·雅克蘭德,帕姆·格里爾,喬治·卡林另一個地球
威廉·麥鮑瑟,布里特·馬靈,馬修-李·埃爾巴赫,DJ Flava,Meggan Lennon,AJ Diana,Bruce Colbert,Paul Mezey,Ana Valle,Jeffrey Goldenberg,Joseph A. Bove,Jordan Baker,Flint Beverage,Robin Taylor,魯伯特·雷德復(fù)仇的暗夜
Arya Saloka,Bront Palarae,Marissa Anita同類推薦
致命玩笑2001
保羅·沃克,斯蒂夫·扎恩,莉莉·索博斯基,布萊恩·雷科內(nèi)爾,吉姆·比弗,特里·倫納德,格溫達(dá)·迪肯,休·達(dá)恩,杰伊·埃爾南德斯,沃爾頓·戈金斯,泰德·拉文,帕特里克·羅伯特·史密斯,Jessica Bowman,Stuart Stone,Basil Wallace,Mary Wickliffe,McKenzie Satterthwaite,Dell Yount,Kenneth White,Luis Cortés,Michael McCleery,Rachel Singer,John Maynard,蒂姆·暑假來臨,大學(xué)新生劉易斯·托馬斯(保羅·沃克爾 Paul Walker 飾)決定穿州過省,前往新澤西去看望他自高中時代便喜歡的女孩維娜·威爾柯斯(Leelee Sobieski 飾)。為了打發(fā)旅途上的無聊時光,他將正因酒后駕車蹲局子的老哥富勒(史蒂夫·贊恩 Steve Zahn 飾)保釋出來,兄弟倆一路通行。 旅途中,富勒買了一部車載對講機(jī),與其他的司機(jī)扯皮聊天。期間他們搭上一個綽號“銹釘”的卡車司機(jī),富勒突發(fā)奇想,慫恿弟弟假扮女人用對講機(jī)勾引銹釘。對他們來說,這似乎是旅途中一個無傷大雅、轉(zhuǎn)眼就忘的玩笑。沒想到他們卻惹上了這個難纏和恐怖的家伙。在接下來的時間里,銹釘成為劉易斯、富勒和維娜難以擺脫的噩夢……
瑞奇·熱維斯:人生苦短
瑞奇·熱維斯瑞奇·熱維斯宣布自己的最新個人單口喜劇 Mortality 將在2024年底開始全球巡演。
十月建造的房屋2
Brandy Schaefer,Zack Andrews,Mikey Roe,Jeff Larson,Bobby Roe,Kate Biddle,Bob Ballou,Tamara Chambers,Wade Clark,Clicks,Landon Colby,盧卡斯·戈弗雷,Tyson Colby,Andrea Hays,Adam Heatherly,Margee Kerr,Takeru Kobayashi,Mini Kiss,Jacquie Lantern,尼克·里昂,Gina Martinez,KaFive haunted-house enthusiast friends are still trying to recover from the trauma of being kidnapped the previous Halloween by the Blue Skeleton — a group who takes “extreme haunt” to another level. They decide to face their fears in order to move on and go back out on the road to find more haunted houses. However, ominous signs of the Blue Skeleton start appearing again…
取款機(jī)殺人夜
愛麗絲·伊芙,喬?!づ蹇?布萊恩·格拉格提,阿隆·休斯,奧馬爾·可汗,威爾·沃伊托維希,格倫·湯普森一年一度的圣誕佳節(jié)終于到來,在狂歡派對上,投資公司職員大衛(wèi)(布瑞恩·杰拉夫迪 Brian Geraghty 飾)終于鼓起勇氣向剛剛辭職的美麗女職員艾蜜莉(艾麗絲·伊芙 Alice Eve 飾)搭話,聚會中途,二人驅(qū)車和他們的朋友科瑞(喬什·派克 Josh Peck 飾)一同返回。此時已近深夜,希望買點(diǎn)兒什么吃的的三個人進(jìn)入某自動提款機(jī)服務(wù)站取錢,可是正待出門時卻發(fā)現(xiàn)一個神秘陰森的身影站在外面,后者更在眾目睽睽之下殺了一個陌生的流浪漢?! 〈笮l(wèi)等人就這樣被困在方寸之間,看似隨機(jī)的襲擊事件,一切似乎又盡在神秘之人的掌控之中,他們最終能否逃脫?還是成為恐怖襲擊者的犧牲品?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.