女魔復(fù)仇記

5.4 播放:17萬 更新:2026-04-26
主演: Lieva Lone Patricia Hermenier 

在一個小島上,有一伙橫行霸道的海盜。他們用計使一艘客船在小島附近沉沒,他們開始搶劫船上的金銀珠寶,不久從海中游來了兩名逃難的女子,她們正好和海盜們碰頭了。海盜中的兩名成員將兩名女子強暴后毆打致死,而海盜船長也和她的情婦在巖石上ML。 不久,那個船長在酒吧里總是看到兩名女子的鬼魂來回飄蕩,精神恍惚,幾乎到了崩潰的邊緣。酒吧里的人說在碼頭附近看到兩名女鬼游蕩,船長伙同情婦及其他船員前去調(diào)查,原來兩個女子并沒有死,而是追被逃離這個小島。這伙海盜當(dāng)然不罷休,還要繼續(xù)追殺她們。她們最后逃到了小島附近的一個幾百年沒人敢去的魔鬼勝地,這里似乎蘊藏著更大的秘密法國情色名導(dǎo)讓洛林(Rean Rollin)1973年的超級經(jīng)典代表作??!   

即刻觀影

劇情賞析

在一個小島上,有一伙橫行霸道的海盜。他們用計使一艘客船在小島附近沉沒,他們開始搶劫船上的金銀珠寶,不久從海中游來了兩名逃難的女子,她們正好和海盜們碰頭了。海盜中的兩名成員將兩名女子強暴后毆打致死,而海盜船長也和她的情婦在巖石上ML。 不久,那個船長在酒吧里總是看到兩名女子的鬼魂來回飄蕩,精神恍惚,幾乎到了崩潰的邊緣。酒吧里的人說在碼頭附近看到兩名女鬼游蕩,船長伙同情婦及其他船員前去調(diào)查,原來兩個女子并沒有死,而是追被逃離這個小島。這伙海盜當(dāng)然不罷休,還要繼續(xù)追殺她們。她們最后逃到了小島附近的一個幾百年沒人敢去的魔鬼勝地,這里似乎蘊藏著更大的秘密法國情色名導(dǎo)讓洛林(Rean Rollin)1973年的超級經(jīng)典代表作??!   

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棉花軟糖

柯賓·伯恩森,庫?!趥愃?Kai Cech,Max Malas

在一個與世隔絕的夏令營里,膽小又內(nèi)向的12歲男孩摩根陷入了一場噩夢之中——曾經(jīng)被當(dāng)作傳說的一個篝火故事竟變成了現(xiàn)實。摩根和他新結(jié)識的朋友們必須踏上一段危險重重的旅程,并揭開隱藏在表象之下的邪惡真相。

等待方舟

耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

探魔導(dǎo)師

洪紫琳,孔舒航,慕巖,金尤美,趙干羽,劉蔚森,楊悅心,高杰,任嬌,周婷,安德烈·拉澤夫,麥小龍,余浩瑞,劉光帥,王星凱,王小曼,李小龍,金韜,何然,Dima,那朵,于洛熙,趙英龍,萌寶寶,雪千琪琪,周末,Kevin,勃小龍,唐亦靜,韓欣茹,Kisa,朱睿,師軍紅,王銳,陸鑫

  《探魔導(dǎo)師》將背景設(shè)定在一個由十大財團控制的架空歷史下的摩登市。洪冰瑤飾演的是個性別模糊能穿梭時空的魔導(dǎo)師T,因被迫卷入組織權(quán)利斗爭,成為組織的犧牲品。T協(xié)助警察破案來實現(xiàn)自己的人生價值。在調(diào)查“人類失蹤案”的過程中,T發(fā)現(xiàn)人類失蹤與畸形科技“潘多拉”有關(guān),該科技利用人類原罪使人類互相欺詐謀殺,試圖讓整個摩登市陷入混亂,隨著線索一步步逼近,T漸漸意識到社會的種種混亂由十大財團操縱,一切的根源似乎直指給人類帶來巨大益處的人工智能,一場人類與人工智能的生存爭奪戰(zhàn)由此拉開。

牢獄鴛

華萊士·比里,切斯特·莫里斯,羅伯特·蒙哥馬利

 肯特·馬洛(蒙哥馬利·克里夫特 飾)因酒駕而入獄,并在牢中認(rèn)識了搶劫犯約翰·摩根(切斯特·莫里斯 飾)和殺人犯機關(guān)槍布奇(華萊士·比里 飾)。性格軟弱的馬洛入獄第一晚便遭到了布奇的欺凌,隨后他與其他獄友也無法和諧相處,心懷不滿的他在警察密探的慫恿下想要通過抓住布奇和摩根的把柄的方式來提前出獄。性格暴躁的布奇無法忍受牢中惡劣的飲食條件,在餐廳慫恿所有犯人一起抗議,最終遭到壓制,布奇也因此被送往地牢,但他心中已打定主意要設(shè)法越獄。摩根性格狡猾,在獄中一直左右逢源,并因在獄中表現(xiàn)良好得到了提前出獄的假釋機會,就在他喜不勝收準(zhǔn)備出獄之時,某個突然而來的事件永遠(yuǎn)改變了他的命運。

別開門

徐立,曲少石,楊瓏,劉著,劉金,曹禹澄,李鶴楠,趙洪紀(jì),李昕芮,王昌,熊競宇

  云南某小鎮(zhèn)上的一家客棧,浪蕩不羈的老板楊浩(曲少石 飾)與女服務(wù)員鬧鬧(曹蕾 飾)有染,還想方設(shè)法勾搭實習(xí)女服務(wù)生曉菲(徐立 飾)。柳經(jīng)理看在眼里,忍氣吞聲。這一天,楊浩的發(fā)小蹦燈兒(李鶴楠 飾)海外留學(xué)歸來。兩個好朋友一個德行,都有著輕浮虛化的言行。為了給好友接風(fēng),楊浩召集柳經(jīng)理、曉菲、鬧鬧、后廚的仙爺、華子、小胖等人大擺筵席。夜深人靜,安靜的小院內(nèi)響起了陰冷清脆的高跟鞋聲,接著一個披頭散發(fā)的女人影影綽綽出現(xiàn)在各個角落?! ⌒膽压硖サ膫€人,將經(jīng)歷最恐怖的一夜……

浩劫后

杰森·羅巴茲,喬貝茲·威廉姆斯,斯蒂夫·古根伯格,約翰·卡倫

  核子戰(zhàn)爭浩劫一直是人類社會揮之不去的陰影,萬一在哪一天真的爆發(fā)了核戰(zhàn),那將會是什么景象呢?這部尼古拉斯.邁耶導(dǎo)演的電視電影就是根據(jù)這種推測拍成的作品,用寫實手法刻劃美國堪薩斯州勞倫斯市發(fā)生核彈爆炸后的各種景況,從而探討外在世界的變化和人性的內(nèi)在演變,主題具省思意識,在1983年美國首播時曾造成極大轟動。幾位主要演員:賈森.羅巴茲、喬拜茲.威廉斯、史蒂夫.加頓伯格、約翰.李斯可、埃米.馬迪根等均有緊扣人心的精彩演出。