妻子租賃服務(wù)

★ 4.6 播放：73萬 更新：2026-04-23
主演：赤島安娜 

寡婦去世后，妻子租借服務(wù)填補(bǔ)了空缺。一位去世的妻子和一位年輕女士來探望。每天晚上都充滿激情的男人最后，我向她求婚，她說她不能接受，因?yàn)樗`反了合同但是過了一會(huì)兒她辭去了租房的妻子而來再一次，有熱戀。

在線播放

劇情簡(jiǎn)介

寡婦去世后，妻子租借服務(wù)填補(bǔ)了空缺。一位去世的妻子和一位年輕女士來探望。每天晚上都充滿激情的男人最后，我向她求婚，她說她不能接受，因?yàn)樗`反了合同但是過了一會(huì)兒她辭去了租房的妻子而來再一次，有熱戀。

導(dǎo)演精選

奇遇

　　43歲的社畜大叔黃遇奇（賈冰 飾）身體處處亮紅燈，是生活中的背景板，職場(chǎng)上的一塊磚。被人生困住的他因一場(chǎng)意外與18歲的自己互換靈魂！從此，沒有“班味”的中年黃遇奇開啟了創(chuàng)飛人生的一系列操作！不做卷王，享受人生就對(duì)了！“少年老成”的18歲黃遇奇（王皓 飾）手握未來劇本，開始實(shí)行“富二代養(yǎng)成計(jì)劃”！不再叛逆，彌補(bǔ)遺憾就對(duì)了！橫沖直撞的他們會(huì)如何掌控自己的全新人生？

木乃伊2026

 一個(gè)被埋藏的秘密，正準(zhǔn)備被揭開。失蹤多年的凱蒂突然回來，但回來的，真的還是原本的她嗎？那些看似“好轉(zhuǎn)”的變化，其實(shí)，是另一種腐敗的開始。

等待方舟

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.