劇情縱覽
故事說賊公賊婆無惡不作,生活放蕩卻優(yōu)哉游哉。兩人看上去無心向?qū)W的少男少女,盡出聲色犬馬餌誘他們?nèi)牖镒龃笫澜纭Y\公向來成事不足,幸有鎮(zhèn)定的賊婆。
故事說賊公賊婆無惡不作,生活放蕩卻優(yōu)哉游哉。兩人看上去無心向?qū)W的少男少女,盡出聲色犬馬餌誘他們?nèi)牖镒龃笫澜纭Y\公向來成事不足,幸有鎮(zhèn)定的賊婆。
一位單身母親和她的小女兒努力維持生計(jì),直到他們從祖父那里繼承了農(nóng)舍。 當(dāng)一個(gè)家族企業(yè)的競爭對手派武裝人員用武力將水權(quán)帶到農(nóng)場的小溪時(shí),情況開始失控。
Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
影片改編自Samuel D. Hunter創(chuàng)作的同名戲劇,講述在愛達(dá)荷州鄉(xiāng)村一個(gè)破舊的公寓里,重達(dá)272公斤的英語教師查理(布蘭登·費(fèi)舍 飾)隱居避世,固執(zhí)、堅(jiān)決地要把自己吃死。查理在中年時(shí)期為了同性情人拋棄家人,但情人過世后因?yàn)楸瘋蛢?nèi)疚暴飲暴食,并且嘗試與17歲的女兒艾莉(薩迪·辛克 飾)修復(fù)關(guān)系。隨著查理越來越接近不可避免的命運(yùn),他的朋友麗茲(周洪 飾),一個(gè)憤世嫉俗的無神論者護(hù)士,以及埃爾德·托馬斯(泰·辛普金斯 飾),一個(gè)年輕的傳教士都試圖在查理身上找到能被拯救的意志,無論是肉體上還是精神上。然而,只有與查理關(guān)系疏遠(yuǎn)的女兒艾莉才能讓他看到目前絕望狀態(tài)之外的未來,艾莉雖然尖酸刻薄、充滿仇恨、渾身是刺,查理卻能在她身上找到最后一次贖罪的機(jī)會,甚至可能是一絲希望。
一晚,三位姊妹潛入一位參議員的家,欲偷走他透過賄賂得來的錢。進(jìn)行到一半時(shí),她們聽見地下室傳來奇怪的聲音,決定前往調(diào)查。她們發(fā)現(xiàn)一位看似受到殘忍虐待的女孩被綁在床上。 這個(gè)半身不遂的女孩請求她們救她,她們也決定幫她。但她們不知道的是,這個(gè)女孩並不是受到虐待,而是被一個(gè)強(qiáng)大的黑暗力量附身,它將打開另一個(gè)世界的大門。