隱秘的交換

0.0 播放:49萬(wàn) 2026-05-02
主演:金東宇 尹律 閔度允 

泰珍和孫燁在車(chē)上做愛(ài),睡覺(jué),由于極端貧困而沒(méi)有汽車(chē)旅館費(fèi)用 可疑的男人和女人柳成,以及從窗外窺視他們的妻子Sunye,對(duì)他們生活在汽車(chē)中的他們提出了一個(gè)艱難的建議。 Sunye睜開(kāi)了雙眼。

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同款熱播

好像一切都很糟糕

Melis Sevin?,Melisa Bostanc?o?lu,?brahim Ar?c?,Mert Can Sevimli

Ay?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night.   However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements.   Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires.   源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

恐懼之靈

Christopher Lee Page,Kevin Bohleber,Jordinn Ballenger

一名男子在郊區(qū)一間空蕩蕩的房子里醒來(lái),沒(méi)有記憶,手臂上沾著血跡。當(dāng)他瘋狂地洗掉血跡時(shí),他發(fā)現(xiàn)那不是他的。他在房子周?chē)l(fā)現(xiàn)了一些便利貼,上面寫(xiě)著:“不要呆在這個(gè)房間里。”“別出去。”“別下樓。”他感到困惑,試圖追蹤這些神秘的信息,最終發(fā)現(xiàn)了兩件事。他與母親和女兒的記憶有某種聯(lián)系,還有住在這所郊區(qū)房子里的惡魔。當(dāng)他越來(lái)越接近解開(kāi)他為什么在那里的謎團(tuán)時(shí),惡魔變得越來(lái)越強(qiáng)大,考驗(yàn)著他的生存意志。

圍困4

尤里·索洛明,葉甫蓋尼·列別杰夫,伊琳娜·阿庫(kù)洛娃,弗拉季斯拉夫·斯特爾熱利奇克,亞歷山大·拉辛,鮑里斯·戈?duì)柊屯蟹?謝爾蓋·哈欽科,Roman Gromadsky,Aleksei Presnetsov,米哈伊爾·烏里揚(yáng)諾夫,丹尼爾·薩加爾,Stanislav Fesyunov,Vladimir Voronov,列夫·佐洛圖欣,Igor Komarov,Gerbert Dmitriev,German Khovanov,Oleg Khromenkov,Rudolf Chelishchev,Vladimir

  本片是蘇聯(lián)偉大衛(wèi)國(guó)戰(zhàn)爭(zhēng)系列史詩(shī)巨片之一部。影片盡情歌頌了蘇聯(lián)人民,在德國(guó)法西斯圍困列寧格勒的900個(gè)艱難的日日夜夜,所表現(xiàn)出來(lái)的頑強(qiáng)精神。影片及表現(xiàn)了蘇軍大本營(yíng)對(duì)列寧格勒的戰(zhàn)略布防,也表現(xiàn)出列寧格勒市民面對(duì)生死的堅(jiān)忍不拔。同時(shí)也是為數(shù)不多的蘇聯(lián)戰(zhàn)爭(zhēng)影片,客觀地表現(xiàn)了戰(zhàn)爭(zhēng)初期紅軍失利,以及紅軍將領(lǐng)伏羅希洛夫元帥組織列寧格勒城防的失敗。影片還展現(xiàn)了列寧格勒基洛夫工廠,冒著的德軍轟炸,堅(jiān)持為前線生產(chǎn)武器,以及軍隊(duì)和市民通過(guò)城市唯一與外界的通道——拉多加湖通道,運(yùn)送糧食、武器和其他戰(zhàn)略物資的場(chǎng)面。該片還較為詳實(shí)地展示了希特勒攻占列寧格勒的計(jì)劃,以及紅軍與市民聯(lián)手防御,共同抗敵的畫(huà)面。這部影片,將戰(zhàn)爭(zhēng)的全景展示與戰(zhàn)壕細(xì)節(jié)完美地結(jié)合起來(lái),直到今天仍不失為一部反法西戰(zhàn)爭(zhēng)的優(yōu)秀影片,很值得觀賞和借鑒。

環(huán)法

熱拉爾·德帕迪約

  Far’Hook is a 20-year-old rapper. Following a violent dispute with a rival, he’s forced to leave Paris for a while. His producer, Bilal, suggests that Far’Hook acts as driver for Bilal’s father, Serge, on a tour of French ports, following in the footsteps of the classic painter Joseph Vernet.  Despite the age gap and culture clash, an unlikely friendship forms between this talented rapper and a bricklayer from the north of France during a road trip that concludes in Marseille for a final concert, one of reconciliation.

筆仙大戰(zhàn)貞子

思雨,孫靜雯,楊青霖,黃佳軍,張冰倩,鄭躍,雷鳴,袁國(guó)綱,張磊,曹云青,周以諾,馮惠,崔博涵

  圣涵高中同寢室的三姐妹,經(jīng)常被學(xué)姐微微欺辱,不堪忍受的三人為了報(bào)復(fù)微微,將一段被詛咒的死亡視頻發(fā)給了她,至微微死亡。然而,姐妹三人也難逃貞子纏身的詛咒,室友莉娜離奇死去。走投無(wú)路的兩姐妹,決定請(qǐng)筆仙幫忙對(duì)付貞子,不料卻招來(lái)了另一個(gè)強(qiáng)大的惡靈,中日兩大女鬼大戰(zhàn)一觸即發(fā)……

兇間疑影

Teerapong Liaorakwong,Sinjai Plengpanich,Pongpit Preechaborisutkhun,Kanya Rattapetch,Chatsoroth Thanuthipayakul

  風(fēng)韻猶存的妮妲是一個(gè)單身媽媽,數(shù)年前她和老公的感情破裂,長(zhǎng)久以來(lái)只同兒子阿頓生活在一起。妮妲靠在夜市賣(mài)電影光盤(pán)為生,巨大的壓力令她皈依一個(gè)名為“Who R U”的宗教社團(tuán)。5年前,阿頓與母親發(fā)生爭(zhēng)執(zhí),隨即將自己反鎖房中,從此再未踏向外部世界。妮妲與阿頓德交流便是通過(guò)門(mén)縫下傳遞紙條來(lái)實(shí)現(xiàn),憑借宗教賜予她的力量,妮妲似乎漸漸習(xí)慣這種不正常的生活。  某電視臺(tái)恐怖節(jié)目編輯阿東是妮妲的???,他得知阿頓的事情,告知妮妲這是一種被稱為“隱蔽青年”的自閉癥狀。阿東決定幫助阿頓走出房門(mén),回到社會(huì)。他極其熱心地操辦此事,結(jié)果卻令他追悔莫及。而在這一過(guò)程中,妮妲內(nèi)心塵封已久的記憶也被漸漸喚醒……