豚鼠：血肉之花

喜馬拉亞星

　　在喜瑪拉雅山長(zhǎng)大的亞星（鄭中基）練有一身瑜伽好功夫，某日奉父母之命下山參加印度西施家族舉辦的瑜伽選夫比賽的途中，被恨嫁的大家姐（應(yīng)采兒）纏住。為了阻止亞星參加比賽，大家姐想出把他變成人見人厭的壞小子的狠招，不想聯(lián)合三大惡人也沒能將亞星改變，不甘心之下，大家姐又找來以壞混世的大膽叔叔（吳鎮(zhèn)宇）?！　】上Т竽懯迨迮c朋友驚青舅父（劉青云）及其兩個(gè)外甥已不幸被印度催眠術(shù)催眠，連自己是誰(shuí)都不再曉得，然而亞星總算找到了領(lǐng)門人，賭場(chǎng)的兩頭神蛇把他教成了沉迷于賭博和吸毒的壞小子，此時(shí)，大家姐發(fā)現(xiàn)還是原來的亞星比較好，決定陪其一同喝下“印度神奇油”回到從前。

飛越瘋?cè)嗽?/h3>

 麥克墨菲（杰克·尼科爾森 Jack Nicholson 飾）為了逃避監(jiān)獄里的強(qiáng)制勞動(dòng)，裝作精神異常，被送進(jìn)了精神病院，他的到來，給死氣沉沉的精神病院帶來了劇烈的沖擊。 麥克要求看棒球比賽的電視轉(zhuǎn)播，挑戰(zhàn)了醫(yī)院嚴(yán)格的管理制度，受到護(hù)士長(zhǎng)拉契特（路易絲·弗萊徹 Louise Fletcher 飾）的百般阻撓；麥克帶領(lǐng)病人出海捕魚，振奮了他們的精神，卻讓院方頭痛不已。院方為了懲處麥克膽大妄為、屢犯院規(guī)，決定將他永遠(yuǎn)留在瘋?cè)嗽?。生性自由的麥克再也無(wú)法忍受瘋?cè)嗽旱纳睿?lián)合病友，高大的印第安人“酋長(zhǎng)”，開始自己的計(jì)劃：飛越瘋?cè)嗽骸?本片獲1975年第48屆奧斯卡最佳影片，最佳男、女主角，最佳導(dǎo)演和最佳改編劇本五項(xiàng)大獎(jiǎng)。主人公“不自由，毋寧死”的精神在當(dāng)今社會(huì)仍有很大的現(xiàn)實(shí)意義。

那個(gè)人在想什么事情

　　The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.