綜合癥
意識(shí)到自己的生命只剩下幾個(gè)月了，維克多決定把他的前女友安娜從毒癮中拯救出來(lái)。為了給她更好的生活，維克多在一天晚上跟蹤并綁架了安娜當(dāng)?shù)弥挥幸粋€(gè)很短的時(shí)間留給生活，維克多V （哈維爾 阿爾瓦拉飾）決定將他在一年前的女友安娜Ana（阿德里安娜達(dá)維多娃飾）從毒癮中拯救出來(lái)。為了給她更好的生活，維克多在一天晚上跟蹤并綁架了安娜。雖然他的動(dòng)機(jī)是好的，但是維克多發(fā)現(xiàn)其實(shí)他連自己的問(wèn)題也無(wú)法解決。一個(gè)是癮君子，一個(gè)是迷途羔羊，可以說(shuō)這二人之間任何事都有可能發(fā)生。那么究竟在這個(gè)愛(ài)生活卻難以生活下去的男人，和這個(gè)可以生活卻不愛(ài)生活的女人之間發(fā)生了什么事呢
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魔法壞女巫
辛西婭·埃里沃,愛(ài)莉安娜·格蘭德,杰夫·高布倫,楊紫瓊,喬納森·貝利,伊桑·斯萊特,瑪麗莎·博德,彼特·丁拉基,安迪·尼曼,考特尼-梅·布里格斯,楊伯文,布朗溫·詹姆斯,伊迪娜·門澤爾,克里斯汀·肯諾恩斯,基拉·塞特爾,莎倫·D·克拉克,科林·邁克爾·卡邁克爾,亞當(dāng)·詹姆斯,愛(ài)麗絲·費(fèi)恩,詹娜·博伊德,肖恩·普倫德加斯特,亞倫·張,Lexi Lancaster,Arlo Turner影片講述了奧茲國(guó)兩位女巫鮮為人知的成長(zhǎng)故事。因綠色皮膚而備受誤解的艾芙芭（辛西婭·埃里沃 Cynthia Erivo 飾）與光彩奪目、野心勃勃的格琳達(dá)（愛(ài)莉安娜·格蘭德 Ariana Grande 飾）在西茲大學(xué)結(jié)識(shí)，性格迥異的二人卻建立起了深厚的友誼。然而，隨著與奧茲國(guó)大巫師的邂逅，她們的友誼走向十字路口，二人面臨著截然不同的命運(yùn)之路。這段奇幻冒險(xiǎn)揭示了友誼、力量與自我發(fā)現(xiàn)的真諦。
天啟四騎士
丹尼斯·奎德,章子怡,盧·泰勒·普奇,小克利夫頓·克林斯蘭斯林（丹尼斯·奎德 Dennis Quaid 飾）警官同時(shí)也是一個(gè)單身父親，因公務(wù)繁忙，他無(wú)暇照顧兩個(gè)兒子，大兒子亞歷克斯無(wú)形中時(shí)常扮演父親的角色。最近蘭斯林被一樁連續(xù)殺人案纏住，每個(gè)兇案現(xiàn)場(chǎng)都發(fā)現(xiàn)了至少四名嫌疑人的蹤跡，并且統(tǒng)一留下了“過(guò)來(lái)看”的血色留言，死者死于懸掛的狀態(tài)充滿了宗教意味，蘭斯林從人體懸掛的鐵架入手，發(fā)現(xiàn)這一干罪犯以殺人作為宗教儀式，并且以啟示錄中記載的“天啟四騎士”自居。第一個(gè)受害者的華裔養(yǎng)女克里斯?。ㄕ伦逾?飾）主動(dòng)找到蘭斯林，坦承了自己與連續(xù)殺人案的關(guān)系，但是這不能阻止更多人受害，蘭斯林驚見(jiàn)自己最不愿意看到的事情發(fā)生了……
美人魚(yú)村
梁家仁,于函冰,臧志中,朱鐵和,李健仁,鐘偉強(qiáng),于夏沫本片是一部跨越百年的愛(ài)情傳奇故事。講述了安宇廷因?yàn)楹闷嫘尿?qū)使陰差陽(yáng)錯(cuò)地來(lái)到桃源村，從而在桃源村經(jīng)歷了種種奇遇看到美人魚(yú)，最后與村民一起同來(lái)傷害美人魚(yú)的惡勢(shì)力作斗爭(zhēng)，并最終取得勝利......
地球浩劫
肖恩·康納利,娜塔莉·伍德,卡爾·莫爾登After a collision with a comet, a nearly 8km wide piece of the asteroid "Orpheus" is heading towards Earth. If it will hit it will cause a incredible catastrophe which will probably extinguish mankind. To stop the meteor NASA wants to use the illegal nuclear weapon satellite "Hercules" but discovers soon that it doesn't have enough fire power. Their only chance to save the world is to join forces with the USSR who have also launched such an illegal satellite. But will both governments agree?
等待方舟
耶日·斯圖爾,克里斯提娜·楊達(dá),卡里娜·謝魯斯克,馬里烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚(yáng)·諾維茨基,亨里克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬扎克,斯坦尼斯瓦夫·伊加爾Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
楊非與高俐
劉道玄,彭必瑤,潘國(guó)棟,劉占奎,陳緯,高果高俐醉酒被強(qiáng)哥等人綁架索贖金一億，楊非因父需百萬(wàn)手術(shù)費(fèi)趕路時(shí)車被同一伙劫匪搶走。二人相遇后，楊非助高俐斗綁匪，發(fā)現(xiàn)高俐與曾因治妻病抵押房產(chǎn)、借高利貸卻致家庭破裂的父親有矛盾。最終高俐獲救，與父和解，楊非湊齊手術(shù)費(fèi)，二人相戀。